"Oh! Yes," said she. And once more he saw that extraordinary
transformation. She became all in an instant delicately, deliciously
lovely, with the moving, in a way pathetic loveliness of sweet children
and sweet flowers. Her look was mystery; but not a mystery of guile. She
evidently did not wish to have her past brought to view; but it was
equally apparent that behind it lay hid nothing shameful, only the sad,
perhaps the painful. Of all the periods of life youth is the best fitted
to bear deep sorrows, for then the spirit has its full measure of
elasticity. Yet a shadow upon youth is always more moving than the
shadows of maturer years--those shadows that do not lie upon the surface
but are heavy and corroding stains. When Norman saw this shadow upon her
youth, so immature-looking, so helpless-looking, he felt the first
impulse of genuine interest in her. Perhaps, had that shadow happened to
fall when he was seeing her as the commonplace and colorless little
struggler for bread, and seeming doomed speedily to be worsted in the
struggle--perhaps, he would have felt no interest, but only the brief
qualm of pity that we dare not encourage in ourselves, on a journey so
beset with hopeless pitiful things as is the journey through life.
But he had no impulse to question her. And with some surprise he noted
that his reason for refraining was not the usual reason--unwillingness
uselessly to add to one's own burdens by inviting the mournful
confidences of another. No, he checked himself because in the manner of
this frail and mouselike creature, dim though she once more was, there
appeared a dignity, a reserve, that made intrusion curiously impossible.
With an apologetic note in his voice--a kind and friendly voice--he
said:
"Please have your typewriter brought in here. I want you to do some work
for me--work that isn't to be spoken of--not even to Mr. Tetlow." He
looked at her with grave penetrating eyes. "You will not speak of it?"
"No," replied she, and nothing more. But she accompanied the simple
negative with a clear and honest sincerity of the eyes that set his mind
completely at rest. He felt that this girl had never in her life told a
real lie.
One of the office boys installed the typewriter, and presently Norman
and the quiet nebulous girl at whom no one would trouble to look a
second time were seated opposite each other with the broad table desk
between, he leaning far back in his desk chair, fingers interlocked
behind his proud, strong-looking head, she holding sharpened pencil
suspended over the stenographic notebook. Long before she seated herself
he had forgotten her except as machine. There followed a troubled hour,
as he dictated, ordered erasure, redictated, ordered re-readings,
skipped back and forth, in the effort to frame the secret agreement in
the fewest and simplest, and least startlingly unlawful, words. At last
he leaned forward with the shine of triumph in his eyes.
"Read straight through," he commanded.
Public-domain text, read in full here on John Shaqi.
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