Norman's father had developed the "queer streak." Their mother was the
daughter of a small farmer and, when she met their father, was
chambermaid in a Troy hotel, Troy then being a largish village. As soon
as she found herself married and in a position with whose duties she was
unfamiliar, she set about fitting herself for them with the same
diligence and thoroughness which she had shown in learning chamber work
in a village hotel. She educated herself, selected not without
shrewdness and carefully put on an assortment of genteel airs, finally
contrived to make a most creditable appearance--was more aristocratic in
tastes and in talk than the high mightiest of her relatives by marriage.
But her son Fred was a Pinkey in character. In boyhood he was noted for
his rough and low associates. His bosom friends were the son of a Jewish
junk dealer, the son of a colored wash-woman, and the son of an Irish
day laborer. Also, the commonness persisted as he grew up. Instead of
seeking aristocratic ease, he aspired to a career. He had choice of
several rich and well-born girls; but he developed a strong distaste for
marriage of any sort and especially for a rich marriage. A fortune he
was resolved to have, but it should be one that belonged to him. When he
was about ready to enter a law office, his father and mother died
leaving less than ten thousand dollars in all for his sister and
himself. His sister hesitated, half inclined to marry a stupid second
cousin who had thirty thousand a year.
"Don't do it, Ursula," Fred advised. "If you must sell out, sell for
something worth while." He laughed in his frank, ironical way. "Fact is,
we've both made up our minds to sell. Let's go to the best market--New
York. If you don't like it, you can come back and marry that fat-wit any
time you please."
Ursula inspected herself in the glass, saw a face and form exceeding
fair to look upon; she decided to take her brother's advice. At twenty
she threw over a multi-millionaire and married Clayton Fitzhugh for
love--Clayton with only seventeen thousand a year. Of course, from the
standpoint of fashionable ambition, seventeen thousand a year in New
York is but one remove from tenement house poverty. As Clayton had no
more ability at making money than had Ursula herself, there was nothing
to do but live with Norman and "take care of him." But for this
self-sacrifice of sisterly affection Norman would have been rich at
thirty-seven. As he had to make her rich as well as himself, progress
toward luxurious independence was slower--and there was the house,
costing nearly fifty thousand a year to keep up.
Public-domain text, read in full here on John Shaqi.
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