guiding idea of the Romish system with all its armies of Jesuits, the greatest and chiefest conviction that the solitary type described in my poem has at no time ever disappeared from among the chief leaders of that movement. Who knows but that terrible old man, loving humanity so stubbornly and in such an original way, exists even in our days in the shape of a whole host of such solitary exceptions, whose existence is not due to mere chance, but to a well-defined association born of mutual consent, to a secret league, organized several centuries back, in order to guard the Mystery from the indiscreet eyes of the miserable and weak people, and only in view of their own happiness? And so it is; it cannot be otherwise. I suspect that even Masons have some such Mystery underlying the basis of their organization, and that it is just the reason why the Roman Catholic clergy hate them so, dreading to find in them rivals, competition, the dismemberment of the unity of the idea, for the realization of which one flock and one Shepherd are needed. However, in defending my idea, I look like an author whose production is unable to stand criticism. Enough of this." "You are, perhaps, a Mason yourself!" exclaimed Alyosha. "You do not believe in God," he added, with a note of profound sadness in his voice. But suddenly remarking that his brother was looking at him with mockery, "How do you mean then to bring your poem to a close?" he unexpectedly enquired, casting his eyes downward, "or does it break off here?" "My intention is to end it with the following scene: Having disburdened his heart, the Inquisitor waits for some time to hear his prisoner speak in His turn. His silence weighs upon him. He has seen that his captive has been attentively listening to him all the time, with His eyes fixed penetratingly and softly on the face of his jailer, and evidently bent upon not replying to him. The old man longs to hear His voice, to hear Him reply; better words of bitterness and scorn than His silence. Suddenly He rises; slowly and silently approaching the Inquisitor, He bends towards him and softly kisses the bloodless, four-score and-ten-year-old lips. That is all the answer. The Grand Inquisitor shudders. There is a convulsive twitch at the corner of his mouth. He goes to the door, opens it, and addressing Him, 'Go,' he says, 'go, and return no more... do not come again... never, never!' and--lets Him out into the dark night. The prisoner vanishes." "And the old man?" "The kiss burns his heart, but the old man remains firm in his own ideas and unbelief." "And you, together with him? You too!" despairingly exclaimed Alyosha, while Ivan burst into a still louder fit of laughter. End of Project Gutenberg's The Grand Inquisitor, by Feodor Dostoevsky