Esther put the letter into an envelope and placed it on the open
writing-desk she kept on her dressing-table. She then packed a few
toilette essentials in a little bag, together with some American
photographs of her brother and sisters in various stages of
adolescence. She was determined to go back empty-handed as she came,
and was reluctant to carry off the few sovereigns of pocket-money in
her purse, and hunted up a little gold locket she had received while
yet a teacher in celebration of the marriage of a communal magnate's
daughter. Thrown aside seven years ago, it now bade fair to be the
corner-stone of the temple; she had meditated pledging it and living
on the proceeds till she found work, but when she realised its puny
pretensions to cozen pawnbrokers, it flashed upon her that she could
always repay Mrs. Goldsmith the few pounds she was taking away. In a
drawer there was a heap of manuscript carefully locked away; she took
it and looked through it hurriedly, contemptuously. Some of it was
music, some poetry, the bulk prose. At last she threw it suddenly on
the bright fire which good Mary O'Reilly had providentially provided
in her room; then, as it flared up, stricken with remorse, she tried
to pluck the sheets from the flames; only by scorching her fingers and
raising blisters did she succeed, and then, with scornful
resignation, she instantly threw them back again, warming her feverish
hands merrily at the bonfire. Rapidly looking through all her drawers,
lest perchance in some stray manuscript she should leave her soul
naked behind her, she came upon a forgotten faded rose. The faint
fragrance was charged with strange memories of Sidney. The handsome
young artist had given it her in the earlier days of their
acquaintanceship. To Esther to-night it seemed to belong to a period
infinitely more remote than her childhood. When the shrivelled rose
had been further crumpled into a little ball and then picked to bits,
it only remained to inquire where to go; what to do she could settle
when there. She tried to collect her thoughts. Alas! it was not so
easy as collecting her luggage. For a long time she crouched on the
fender and looked into the fire, seeing in it only fragmentary
pictures of the last seven years--bits of scenery, great cathedral
interiors arousing mysterious yearnings, petty incidents of travel,
moments with Sidney, drawing-room episodes, strange passionate scenes
with herself as single performer, long silent watches of study and
aspiration--like the souls of the burnt manuscripts made visible. Even
that very afternoon's scene with Raphael was part of the 'old unhappy
far-off things' that could only live henceforwards in fantastic
arcades of glowing coal, out of all relation to future realities. Her
new-born love for Raphael appeared as ancient and as arid as the
girlish ambitions that had seemed on the point of blossoming when she
was transplanted from the Ghetto. That, too, was in the flames--and
should remain there.
Public-domain text, read in full here on John Shaqi.
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