The Grandeur That Was Rome: a survey of Roman culture and civilisation — John Shaqi
The Grandeur That Was Rome: a survey of Roman culture and civilisationStobart, J. C. (John Clarke)
History
The Grandeur That Was Rome: a survey of Roman culture and civilisation
Stobart, J. C. (John Clarke)
Rome -- Civilization; Rome -- History
From a photograph by d’Agostino. The new street revealed by the most
recent excavations of Prof. Spinazzola. The photograph shows us a
“hot-wine shop” with the bar and the wine-jars
66 POMPEII: MURAL PAINTING, STREET OF ABUNDANCE 244
From a photograph by Abeniacar. Another of the most recent finds, a
fresco of the Twelve Gods
67 (Fig. 1) THE EMPEROR DECIUS 246
From a photograph by Anderson of the bust in the Capitoline Museum,
Rome. A splendid example of the realistic portraiture in the third
century A.D.
(Fig. 2) MARCUS AURELIUS
From a photograph by Mansell & Co. of the bust in the British Museum.
All the portraits of the virtuous philosopher agree in producing this
aspect of tonsorial prettiness which belies the character of a manly
and vigorous prince
68 (Fig. 1) THE EMPEROR CARACALLA 250
From a photograph by Mansell & Co. of the bust in the British Museum
(Fig. 2) THE EMPEROR COMMODUS
From a photograph by Mansell & Co. of the bust in the British Museum
69 RELIEFS FROM BASE OF THE ANTONINE COLUMN 252
From photographs by Anderson of the originals in the Vatican, Rome
(Fig. 1) WARRIORS
Represents a military review. The infantrymen with their standards
are grouped in the centre, while the emperor leads a procession of
the cavalry with their _vexilla_, who march past with what Mrs Strong
describes as a “fine and pleasing movement.” Discussed on p. 292
(Fig. 2) APOTHEOSIS OF ANTONINUS AND FAUSTINA
Antoninus and his less virtuous consort are being borne up to heaven
on the back of Fame or the Genius. The youth reclining below bears the
obelisk of Augustus to indicate that he personifies the Campus Martius.
The figure on the right is Rome. The composition of the scene displays
a ludicrous want of imagination
70 TWO VIEWS OF THE AQUEDUCT OF CLAUDIUS 254
From photographs by Anderson. See p. 293
71 (Fig. 1) THE ARCH OF TITUS, ROME 258
See p. 293
(Fig. 2) THE ARCH OF CONSTANTINE, ROME
The Arch of Constantine is adorned with borrowed reliefs, mainly from
the Forum of Trajan. It is the best preserved of the Roman arches. From
photographs by R. C. Smith
72 THE COLOSSEUM, ROME 260
From a photograph by Anderson. Described on p. 293. In the foreground
is the ruined apse of the Temple of Venus and Rome, built by Hadrian
73 THE COLUMN OF TRAJAN 262
From a photograph by Anderson. The great Forum of Trajan was
constructed by the Greek architect Apollodorus between A.D. 111 and
114. The base of the column formed a tomb destined to contain the
conqueror’s ashes. At the top was his statue, now replaced by an image
of St. Peter. The story of the Dacian war is told on the spiral relief
about 1 metre broad. See plates 53-56
Public-domain text, read in full here on John Shaqi.
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