Bohemianism -- Fiction; City and town life -- Fiction; Young women -- Fiction
She found him keen, alert, the personification of energy but as
noncommittal as to his summer as the sphinx, annoyed at some of Thurley’s
mistakes, a hint of nervousness at daring to bring her out so soon—in
short, a taskmaster with scant time for jokes or confidences. Indeed,
Thurley found herself snubbed by the entire family; they had their
parties without her, explaining that she needed her time for study and
preparation. Even Miss Clergy, who was refreshed from her summer, became
a mild sort of “goader-on.” As the hour for her triumph drew near, she
was irritable and impatient if Thurley wandered away for a walk, was five
minutes late or said her headache prevented a lesson.
It was annoying to have a grownup, cynical world suddenly center its
interest on Thurley, the wild-rose Thurley who had basked in the
Old-World beauties, responding to French vivacity, “toning in,” as Collin
said, to the mellowed charms of Spain and feeling at home directly upon
reaching London. Thurley longed to tarry on in Europe a year, she had
told Ernestine.
“It makes me feel unprepared; I see how very new and crude I am.” But
Ernestine had planned their schedule without thought as to Thurley’s
wishes, so on they went with Thurley learning how to travel and speak her
French, to dress, to practise all the things the social secretary had
labored to impart. She sent back impractical trifles to the inhabitants
of the Fincherie, writing to Miss Clergy dutifully, and mentally writing
whole volumes to Bliss Hobart yet seldom mentioning his name aloud.
So passed her summer. And after the weeks of preparation there came a
reaction, a bored languor, indifference to her success. Dreams seemed
dead and visions vanished; the girl Thurley who had exchanged love for
a career was some one else; surely, she had never heard tell of her. At
the present moment she was in a veritable squirrel cage, racing after
what seemed unattainable fame; she had so many persons to suit, so many
persons waited to hear and criticize her and yet there was only one
person whom she really wished to please. He had told her quite forcibly,
“As soon as you are nicely launched, Thurley, I’ve a contralto from
Argentine whom Baxter has in tow—stocky build and will have to bant, but
she has an organlike voice and can do wonders in Wagner—only she’ll take
time which, thank fortune, you did not.”
This Thurley took as a personal expression of relief and she went away
more bored and numbed than ever, thoroughly insolent to all who crossed
her path that day. Ernestine herself could not have achieved it better.
Public-domain text, read in full here on John Shaqi.
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