Bohemianism -- Fiction; City and town life -- Fiction; Young women -- Fiction
He gave a half snarl, half exclamation. “You always wanted to see me a
failure! Enjoy yourself,”—picking up his hat.
“Caleb, I came back because I was not needed over there. I came back to
be a real woman—and my first job is to make you a real man. I shall marry
you, almost before I unpack my trunks, and proceed to show you that the
really great things in life are never written out; that your firm have
had the courage, no matter what their motive, to show you the truth, and
your wife is going to see that you follow it!”
As he stared at her, half enraged and half delighted, he realized
that here spoke a new and rejuvenated woman and artist combined. The
clever, sallow face was blushing prettily and there was something softly
beautiful in the dark eyes.
At that moment neither knew they were about to join Thurley’s angel-band
and with the gray angels not to sing—but to do.
“Suppose I’m a permanent failure, grumbling and jealous of your success
and bitter towards the world at large? You want to take such a risk? And
it is a risk, laugh all you wish and shake your head, I’m terribly done
up, feel gone to bits, brain of an oyster and my nerves are shaky—”
“You remind me of nothing more terrible, Caleb, than the picture over
which the world has often smiled: the tiny lad sitting on a doorstep and
murmuring in hopes cruel relatives will overhear and be grief-stricken
and remorseful, ‘I’m going into the garden to eat worms!’ And we all
know, relatives included, what a stampede indoors there would be if some
one called out, ‘But, oh, Jack, before you do, let’s go to the circus and
have pink lemonade—’.”
CHAPTER XXXVIII
Thurley, Polly and Bliss Hobart were taking a turn about the Fincherie
gardens to discuss a multitude of detail, whether or not Caleb and
Ernestine Patmore, gay deceivers to be married all in a moment and never
let any one know, would visit the Fincherie as soon as Ernestine’s letter
intimated. Why had Collin and Mark stopped writing? Didn’t the exhibition
of doll houses for the coming Christmas market speak well for the work
being done? And if Hobart had spoken in favor of the leather department,
Polly championed the wireless school and the brass and copper hand
industries. She had shown favoritism, as well, for she sang three songs
for those boys and only two and a half for the others.
Thurley drew their attention to a newly finished sun dial. “You see,” she
said, as they took chairs within a summer house, “it is getting used to
one’s self that is the trick. We all have to do it in some way or other
at some time. I dare say if one were born with four fingers and an extra
one appeared without warning, it would be quite a task to know how to
provide for the newcomer ... besides, they all feel it has been worth
while,” she added, turning her eager, flushed face towards Bliss Hobart.
“Why hasn’t the town put up a statue of you?” asked Polly. “Do people
salaam when they meet you?”
Public-domain text, read in full here on John Shaqi.
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