Bohemianism -- Fiction; City and town life -- Fiction; Young women -- Fiction
To her amazement, he would have left her at the doorway. But she took his
arm, as Thurley might have done, in impulsive fashion and commanded him
to come inside.
Rather unwillingly, he obeyed, telling about Thurley and her “rather
far-fetched scheme,” and Polly’s success and her tour of the country with
Bliss who must be “completely out of his element” boosting for this and
that and actually prophesying a near and sudden peace. Had she seen much
of Mark? How was Lissa getting on? And where was Collin,—no need for him
to rush over to fight beside bricklayers!
“What has happened,” Ernestine asked. “You are trying to lie to me—by
silence. Don’t—don’t you care any more?” feeling a reluctance to speak
of her own change of heart.
“Of course, but you can’t love a beggar,” he flung back roughly. “You
don’t mean to say that when it’s too late you’ve come back prepared to
marry a bankrupt—a failure,” his teeth gritted together.
“What are you babbling of? Please don’t be like a Henry James
conversation, say it! I’ve learned to honor directness of speech and
action.”
“I’ll oblige you and take my leave. The damned public is as fickle as
a weather vane. They raved over my ‘Patriotic Burglar’—I made more off
of it than any three of my other books. The public couldn’t get enough
of it. And I went ahead, as I always do,” this with insolent assurance,
“on my next best seller, ‘Military Molly’—no plot but a pretty girl,
German spy and Yankee hero—it is enough for these days—there was to be
a red, white and blue cover on it and Molly in her nursing costume.
And the firm refused it! They dared to say the tide has turned against
war fiction, people felt reality too keenly to want imaginary woes and
victories pictured for them—they said that to me, Caleb Patmore,” he was
unconscious of his absurdity, “when my books have made more money for
them than any other author they have. They said it was thin and I had
better take a long rest ... that an editor’s greatest need in the world
was to discover whether or not an author was trying to kid himself and to
disillusionize him as quickly and painlessly as possible—” he tried to
laugh.
“That is not so bad,” Ernestine said quietly, “it had to come some time.
Rest for a year and then see what your viewpoints are.”
“But I’m stony broke! I never dreamed I’d be turned down! They dared tell
me the story had nothing to commend it save questionable cleverness in
nomenclature.... Why, I was hard to convince when they first wrote me; I
had made some bad plays on the stock market—I counted on ‘Military Molly’
to pull me out of the hole and my next book, ‘The Battles of Billy Girl,’
to get me back to where I was a year ago. I guess there will never be any
more of my books, unless some one stakes me to publish independently and
every one shies when you hint of it ... would you, Ernestine?”
“Not if you were never to speak to me.”
Public-domain text, read in full here on John Shaqi.
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