Bohemianism -- Fiction; City and town life -- Fiction; Young women -- Fiction
The person concerned in the event had been told the real story of Abigail
Clergy, and why Joshua Maples was called “Ali Baba,” and why Miss Clergy
drove at four, always alone and with the curtains drawn, and why the
children were afraid of her and called her witch, trying to make their
mothers admit that the Clergy house was haunted. That person was Thurley
Precore—born in Arcadia, the Corners admitted, although they did not call
it by that name. They said, “Wherever Thurley Precore managed to get
that smile and face and voice of hers and to sing more and more like an
angel when every one knew—” and so forth and so on, the deduction arrived
at being that God had let Himself realize His dream of beauty when He
created Thurley Precore—Thurley with the most worthless, indifferent
parents about whom the Corners had ever heard tell.
Thurley was twenty when the “thrilling event” happened. But her advent
into the Corners ten years before is worth recording. To the older
generation, in fact, it had been a happening of great interest, and, had
it not taken place, the really thrilling event in 1912 could never have
occurred. But younger generations never consider the law of cause and
effect, so they shrugged their shoulders in impatience when their elders
insisted on re-telling to out-of-town visitors how Thurley Precore first
“sang for her supper.”
CHAPTER II
There had driven into the stableyard of the Hotel Button a queer box-car
wagon on rickety yellow wheels, unwillingly pulled by tired nags. The
wagon had a hope-to-die roof and a smokestack. On the driver’s seat was
a ragged man and an impetuous young person in faded blue gingham. The
impetuous young person was driving and singing “God Be With Us Till We
Meet Again”—unconscious of the beauty of her voice.
Her father nodded approval, as the song ended and the wagon halted
before the stable door. As the story goes, young Dan Birge and Lorraine
McDowell, the minister’s only child, were playing hop-scotch in imminent
danger of the horses’ feet. They paused to stare at the newcomers. The
young person had begun in businesslike fashion:
“I want to speak to the pro-pry-e-tor. My name is Thurley, Thurley
Precore, and this is my dad. He’s awful sick. We come all the way from
Boulder, out in Colorado—I guess you don’t know where that is, but it’s
miles ’n’ miles from here. My ma is sick, too,—she’s lyin’ down inside,
and she’ll have to see a doctor right off. Where is the pro-pry-e-tor?
Ain’t you listening to me? We sell tinware—why, say, our pots and pans
can’t be beat—nor matched. Even the gypsies said so when we camped with
’em at Lisbon, Ohio. Isn’t it so, pa?” turning her flushed, lovely face
to the man beside her.
“I guess if you says it is—it is,” he chuckled. “Ladies and gentlemen,”
he added to the astonishment of the boy and girl, “what Thurley says
goes—she’s been runnin’ this family for enough years to prove that she
kin,” the chuckle ended in a hollow cough.
Public-domain text, read in full here on John Shaqi.
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