"I think we'll find most of the proper crowd down at the Empire," observed Sansome as the two picked their way across the Plaza. "That is one of the few old-fashioned, respectable gambling places left to us. The town is not what it used to be in a sporting way. It was certainly wide open in the good old days!" The streets at night were ill lighted, except where a blaze of illumination poured from the bigger saloons. The interims were dark, and the side streets and alleys stygian. "None too safe, either," Sansome understated the case. Many people were abroad, but Keith noticed that there seemed to be no idlers; every one appeared to be going somewhere in particular. After a short stroll they entered the Empire, which, Sansome explained, was the most stylish and frequented gambling place in town, a sort of evening club for the well-to-do and powerful. Keith looked over a very large room or hall, at the lower end of which an alcove made a sort of raised stage with footlights. Here sat a dozen "nigger minstrels" with banjos strumming, and bawling away at top pressure. An elaborate rosewood bar ran down the whole length at one side--an impressive polished bar, perhaps sixty feet long, with a white-clad, immaculate barkeeper for every ten feet of it. Big mirrors of French plate reflected the whole room, and on the shelf in front of them glittered crystal glasses of all shapes and sizes, arranged in pyramids and cubes. The whole of the main floor was carpeted heavily. Down the centre were stationed two rows of gambling tables, where various games could be played--faro, keeno, roulette, stud poker, dice. Beyond these gambling tables, on the other side of the room from the bar, were small tables, easy chairs of ample proportions, lounges, and a fireplace. Everything was most ornate. The ceilings and walls were ivory white and much gilt. Heavy chandeliers, with the usual glass prisms and globes, revolved slowly or swayed from side to side. Huge oil paintings with shaded top and foot-lights occupied all vacant spaces in the walls. They were "valued" at from ten to thirty thousand dollars apiece, and that fact was advertised. "Leda and the Swan," "The Birth of Venus," "The Rape of the Sabines," "Cupid and Psyche" were some of the classic themes treated as having taken place in a warm climate. "Susannah and the Elders" and "Salome Dancing" gave the Biblical flavour. The "Bath of the Harem" finished the collection. No canvas was of less size than seven by ten feet.