The clerk produced a key. The interior also was high and narrow. Much
glistening varnish characterized the front hall. They inspected one
after another the various rooms. The house was partly furnished. In the
showrooms hung heavy red curtains held back by cords with gilt tassels.
Each fireplace was framed by a mantel of white marble. But the glory
was the drawing-room. This had been frescoed in pale blue, and all
about the wall and even across part of the ceiling had been draped
festoon after festoon of fishnet. Only this was not real fishnet, as a
closer inspection showed. It had been cunningly painted! In the dim
light, and to a person with an optimistic imagination, the illusion was
almost perfect. Nan choked suddenly at the sight of this; then her eyes
widened to a baby stare, and she become preternaturally solemn.
They looked it all over from top to bottom; the clerk fairly tiptoeing
about with the bent-backed air of one who handles a precious jade vase.
From the front windows he showed them a really magnificent view, with
the blue waters of the bay shining, and the Contra Costa shore
shimmering in the haze.
"In the residence next door to the west dwell most desirable
neighbours," he urged, "the Morrells. They are English, or at least he
is."
"I met him last night," said Keith to Nan; "he looked like a good sort."
"Who is in the big house over there?" asked Nan, indicating a very
elaborate structure diagonally opposite.
"That--oh, that--well, that is in rather a state of transition, as it
were," stammered the little clerk, and at once rattled on about
something else. This magnificent mansion, he explained, was the only
one Palmer, Cook & Co. had on their lists for the moment.
Therefore he drove them back to the Bella Union. Keith departed with
him to look up a suitable office downtown.
Nan bowed solemnly to his solemn salutation in farewell, and turned as
quickly as she could to the interior of the hotel. Sherwood sat in his
accustomed place, his big steel spectacles on his nose, his paper
spread out before him. He arose and bowed. She nodded, but did not
pause. Once inside the hall, she picked up her skirts and fairly flew
up the stairs to her room. Slamming the door shut, she locked it, then
sank on the edge of the bed and laughed--laughed until she wiped the
tears from her cheeks, rocking back and forth and hugging herself in an
ecstasy. Every few moments she would pull up; then some unconsidered
enormity would strike her afresh and she would go off into another
paroxysm. After a while, much relieved, she wiped her eyes and arose.
"This place will be the death of me yet," she told her distorted image
in the mirror.
Public-domain text, read in full here on John Shaqi.
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