The idea took. But they could find nothing appropriate until Teeny
McFarlane deliberately stepped up on the table and broke from the glass
chandelier one of its numerous dangling prisms. This called forth a
mild protest from Morrell--"Oh, I say!"--which was drowned in a wild
shriek of delight. The process of stepping down from the table tilted
Teeny's wide skirts so that for an instant a slim silken leg was
plainly visible as far as the knee. "Oh! oh!" cried every one. Some
pretended to be shocked, and covered their faces with spread fingers;
others feigned to try for another look. Teeny was quite unperturbed.
Keith was the centre of attention and a great success. But there were
no more tète-à-têtes. Mrs. Morrell managed to convey the idea that she
was displeased, and Keith was of a sufficiently generous and ingenuous
disposition to be intrigued by the fact. He had no chance to probe the
matter. In a moment or so Mrs. Morrell rose and strolled toward the
drawing-room. The others straggled after her. She rather liked thus to
emphasize her lack of convention as a hostess, making a pose of never
remembering the proper thing to do. Now she moved here and there,
laughing her shrill rather mirthless laugh, calling everybody "dearie,"
uttering abrupt little platitudes. Keith found himself left behind, and
rather out in the cold. The company had quite frankly segregated itself
into couples. The room was well adapted to this, filled as it was with
comfortable chairs arranged with apparent carelessness two by two. The
men lighted cigars. Keith saw Nan's eyes widen at this. She was sitting
near the fire, and Sansome had penned her in beyond the possibility of
invasion by a third. At this date smoking was a more or less doubtfully
considered habit, and in the best society men smoked only in certain
rigidly specified circumstances. In a drawing-room such an action might
be considered the fair equivalent to powdering the feminine nose.
In such a condition, Keith was left rather awkwardly alone, and was
fairly thrust upon a fictitious interest in a photograph album, at
which he glowered for some moments. Then by a well-planned and
skilfully executed flank movement he caught Mrs. Morrell.
"Look here," he demanded; "what has the standing army done to deserve
abandonment in a hostile country?"
But she looked at him directly, without response to his playful manner.
"My friend," she said, "this is a pretty free and easy town, as no
doubt you have observed, and society is very mixed. But we haven't yet
come to receiving women like Mrs. Sherwood, or relishing their being
mentioned to us."
"Why, what's the matter with her?" demanded Keith, astonished. "Is she
as far from respectability as all that?"
"Respectable! That word isn't understood in San Francisco." She
appeared suddenly to soften. "You're a dear innocent boy, so you are,
and you've got a dear innocent little wife, and I'll have to look out
for you."
Public-domain text, read in full here on John Shaqi.
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