Blessing and cursing -- Fiction; England -- Fiction; Families -- Fiction; Romanies -- Fiction
“That is a wonderful picture opposite, Lady Cranstoun,” he felt
compelled to say at last. “By this light and at this distance I can
hardly distinguish whether it is really old, or only painted in the
old manner.”
His hostess did not at once answer him, and he noted that she grew a
shade or two paler, and that a frightened, furtive look came into her
eyes. Miss Cranstoun ceased speaking to the doctor, and looked
inquiringly toward her.
“The picture is modern,” Lady Cranstoun said at last, and paused
again.
“It is a portrait of my father,” Stella added, with marked, even, as
it seemed, defiant distinctness.
“An excellent piece of work, is it not?” Dr. Graham remarked, breaking
in upon the silence which followed Miss Cranstoun’s statement. “The
tone really reminds me of a Murillo--so dignified, and sombre, and
mellow. Quite a harmony in gray, as we should call it in our
latter-day studio slang. The work attracted considerable attention
when it was hung in the Royal Academy five years ago. You see Sir
Philip is represented in a suit of armor worn by a member of his own
family at the Field of the Cloth of Gold. In his hand he holds a sword
with lowered point, and he stands as though waiting for an enemy to
attack him. The manipulation of the armor is most dexterously
rendered, the effect of a low light upon it from the sky being
reproduced admirably, really admirably. Herkomer has never done
anything better.”
Involuntarily, as the doctor rambled on in his deep mellifluous tones,
Lord Carthew’s eyes left Sir Philip’s portrait, and fixed themselves
upon the face of his daughter. For one brief moment he caught upon her
lovely features a cold, mocking expression almost identical with that
which distinguished her father’s; but almost before he had had time to
feel shocked and astonished thereby, Stella had turned to the doctor,
and was asking him if he knew anything of the pictures which would
attract the most attention at the forthcoming Academy exhibition, and
listening with apparent interest to his replies.
In answer to Claud’s inquiry whether she went often to London to see
the pictures, Miss Cranstoun answered that she had only been in London
three or four times in her life.
“I read all about pictures and music in the ladies’ papers,” she said.
“Mamma is so delicate, the journey to London tires her. But next month
I am to be presented by my grandmamma, the Duchess of Lanark, and
then, I suppose, I shall be taken to see everything.”
“You must be looking forward to your _début_, I imagine?” said Lord
Carthew.
She looked across at him steadily, and then answered quietly:
“I suppose I ought to. But mamma will be dull without me.”
“Indeed I shall, my dear child,” Lady Cranstoun returned, with a look
toward the young girl of so much kindness and affection that in
Claud’s eyes it redeemed her plainness.
Public-domain text, read in full here on John Shaqi.
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