The Great Acceptance: The Life Story of F. N. CharringtonThorne, Guy
History
The Great Acceptance: The Life Story of F. N. Charrington
Thorne, Guy
Charrington, Fredk. N. (Frederick Nicholas), 1850-1936; Poor -- England -- London
[Illustration: THE GREAT ASSEMBLY HALL
Feeding thousands of London's poor
[_To face p. 196._]
The band started a stirring march, Mr. Charrington and I at its
head, together with various other workers of the Mission, who
distributed handbills of the evening service as we went along.
We marched a little way down the Mile End Road, and then we turned
into some of the narrowest and most dreadful slums of London. In some
of these slums the policemen have to patrol in couples for fear of
aggression. At every door, at every window of these rookeries, were
dozens upon dozens of faces, with the marks of drink and deep poverty
upon them. Children swarmed everywhere like bees in a hive. And yet,
among all that misery and destitution, it was most pathetic to see how
many of them--the little girls especially--were as neatly dressed as
their parents could manage, and how their shining hair was brushed and
tied up with odds and ends of ribbons.
We passed a large group of young men openly gambling upon the
pavement. We passed a little house where, not so very long before, two
young men had entered at seven o'clock in the morning, and murdered an
old woman who lived there for the sake of a few shillings. We passed
innumerable drunken men, some of them fighting and quarrelling among
themselves, and more than one drunken woman leaned, leering and
nodding, against the wall of her house.
And yet, not a word was said against us. In no single instance, during
that two hours' progress, was even an insult hurled at Mr. Charrington
or his friends. On the contrary, people waved cheerily to him from
upper windows, and he brandished the inevitable umbrella, which he
carries as a sort of baton upon these occasions, with a merry
greeting. The little children ran to him and hung to the tails of his
frock-coat, proud to hold his hand, and to march with him at the head
of the music. In streets where at least half of the population were
known to the police, and were of the definitely criminal classes,
there was nothing but welcome for the evangelist and his music. There
was no preaching whatever. Now and again, where two or three foul,
dark streets converged, the band stopped and played, very touchingly
and sweetly, for it is composed of first-class instrumentalists, that
beautiful hymn, "Lead, Kindly Light." That was all, though on all
hands the eager helpers were distributing handbills and inviting
everyone to come to the Great Hall in the evening.
Public-domain text, read in full here on John Shaqi.
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