The Great Adventure: A Play of Fancy in Four Acts — John Shaqi
The Great Adventure: A Play of Fancy in Four ActsBennett, Arnold
General
The Great Adventure: A Play of Fancy in Four Acts
Bennett, Arnold
English drama
CARVE. Really! Is it so much talked about as all that?
JANET. It's on all the posters--very big. All along Piccadilly and
Trafalgar Square and the Strand the newspaper boys, and the newspaper
old men too, are wearing it like aprons, as it were. I read the
Telegraph myself. There was nearly a page of it in the Telegraph.
CARVE. (Staggered.) Nearly a page of it in the Telegraph!
JANET. Yes, besides a leading article. Haven't you----
CARVE. I never read obituaries of artists in the papers.
JANET. Neither do I. But I should have thought you would.
CARVE. Well, they make me angry. Obituaries of archbishops aren't so
bad. Newspapers seem to understand archbishops. But when they begin
about artists--you cannot imagine the astounding nonsense they talk.
JANET. (Protesting against his heat.) Now! You're still all on wires.
Why should that make you angry?
CARVE. What did the Telegraph say? Did you look at it?
JANET. Oh yes. It appears Mr. Carve was a very eccentric
person--avoiding society and so on.
CARVE. (Resentful.) Eccentric! There you are! He wasn't eccentric in
the least. The only society he avoided was the society of gaping fools.
JANET. Well, I'm just telling you what it said. Then, let me see--what
else did it say? Oh! It said the sole question was whether Mr. Carve was
the greatest painter since Velasquez--is that how you pronounce it?--or
whether he was the greatest painter that ever lived.
CARVE. (Interested.) Really! It said that?
JANET. (Nodding.) You ought to read it.
CARVE. Upon my soul I think I must. (Attempts to rise.)
JANET. Now, please, don't move. What is it you want?
CARVE. I was only going to telephone and have the daily papers sent up.
JANET. Where is the telephone?
CARVE. (Pointing.) There.
JANET. So they've put a telephone in your room?
CARVE. Telephone in every room.
JANET. (Going to telephone.) Can I telephone for you? I never have
telephoned, and I should like to. How do you do it?
CARVE. Just take that thing off the hook and talk into it. (JANET
gingerly obeys.) It won't explode.
JANET. What am I to say?
CARVE. Tell them to send me up the daily papers at once.
JANET. All?
CARVE. Yes.
JANET. But will they?
CARVE. Certainly.
JANET. (Into telephone.) Please will you send up all the daily papers
at once.
CARVE. Thanks very much. Now you can hang it up again.
JANET. So this is the Grand Babylon Hotel? Well it's a queer place.
(Her eyes rove round the room.)
CARVE. What are you looking for?
JANET. To speak plainly, I was looking for the bed. I must say I was
rather surprised when the young man at the desk said I was to go up to
your room.... But really, every thing's so nicely arranged.... I suppose
it's one of those folding beds that turn into bookcases and things?
CARVE. (Laughs.) No. This is my sitting-room.
JANET. Your sitting-room? (Pointing to door, R.) Then that's the
bedroom?
CARVE. Yes.
JANET. (Pointing to another door.) And what's that?
Public-domain text, read in full here on John Shaqi.
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