British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
It was not his mere avoidance, after the first, of caresses congenial
to the opening phase of marriage that disconcerted her. Such emotional
reticence squared with her idea of the man. She would not have had him
otherwise. They were sure of one another; and in both natures passion
was proud and fastidious. It could thrive without much lip-service.
The undefined aloofness that troubled Quita was spiritual, rather than
physical. She was conscious of walls within walls, separating her from
his essential self; and behind these again of an unobtrusive reserve
force, whose power of endurance she could not estimate; because her
dealings with Michael's shallower nature had afforded her no experience
of a moral stability free from the warp of the personal equation. It
was as if some intangible part of him, over which she could establish
no hold, stood persistently afar off,--tormented, but immovable.
She could not know that the form of opium administered during his
illness had revived and strengthened temptation when he himself was
physically unfit to cope with it; that by her impulsive return to him,
at a critical moment, she was forcing him open-eyed toward a
catastrophe more lasting, more terrible for them both, than the initial
harm done by her rejection of him five years ago. Reserve and
self-disgust made speech on the subject seem a thing impossible; while
his mere man's chivalry shrank from allowing her to guess that by an
act of seeming reparation, she had run grave risk of putting real
reparation out of her power. Once only did the love that consumed him
break through the restraint he put upon himself in sheer self-defence.
It was the first day he had been allowed up at a normal hour; and
coming into the dining-room, he had found her alone at her easel, near
one of the long glass doors. At the sound of his step she turned her
canvas round swiftly, and came to him with a glad lift of her head. He
took her hands in his big grasp, and kissed her forehead.
"Good morning, lass," he said. "You never told me you had brought that
with you. Couldn't be divorced from it, eh? What's the great work
now? May I see?"
"But yes, naturally. I've been keeping it as a surprise for you. I
don't believe I should ever have got through this last fortnight
without it. _Voila_!"
She set it facing him, and standing so with her eyes on the picture,
waited eagerly for his word of praise. But as the seconds passed, and
it did not come, she turned, to find him looking at her, not at the
picture; his teeth tormenting his lower lip; a suspicious film dimming
the clear blue of his eyes. Emboldened by this last incredible
phenomenon, she came and stood close to him, yet without touching him.
"Darling, you do like it, don't you? I can't complete it till you give
me a few sittings; but then--it will be my masterpiece. I shall never
show it, at home, though. It's too much a part of myself . . . my very
inmost self."
Public-domain text, read in full here on John Shaqi.
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