British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
And he could not withhold the demonstration that such a confession
provoked.
"Oh, my dear," he said at last, without releasing her. "You made too
little of me once; and now you're making too much. I'm not worth it
all."
She put a hand on his lips.
"Be quiet! I won't hear you when you talk so. Look properly at my
picture now. You haven't told me it's good."
"Of course it's good. Amazingly good. But . . ." he laughed, a short
contented laugh--"it's beyond me how you could be misguided enough to
waste your remarkable talent in perpetuating anything so ugly!"
Her smile hinted at superior knowledge; yet she paid his obvious
sincerity the compliment of not contradicting his final statement.
"In the first place, because I love it. And in the second place,
because, for all true artists, who see in form and colour just a soul's
attempts at self-expression, there is more essential beauty in certain
kinds . . . of ugliness, than in the most faultless symmetry of lines
and curves. One is almost tempted to say that there is no such thing
as actual ugliness; that it is all a matter of understanding, of seeing
deep enough. For instance, I find that essential beauty I spoke of in
Mrs Olliver's face."
"Ah . . . so do I; of a rare quality."
"Well then, dear stupid, allow me to find it in yours also!"
"One to you," he admitted, smiling. "But now . . . I am in your hands
till tiffin. What are you going to do with me? Read? Sing? The
drawing-room's empty; and I haven't heard you since Kajiar."
"Do you want the Swinburne again?"
"No; by no means."
"Why not? Don't you like the song?"
"I like it far too well; and I'm not strong enough yet to stand a
brutal assault upon my feelings! Come along, and give me something
wholesome and simple. A convalescent needs milk diet mentally as well
as physically, you know!"
This was on one of his best days. But there were others,--following
upon nights of sleeplessness, and pain, and heart-searching
unspeakable, only to be alleviated by the one unfailing remedy,--when
the strain of repression demanded by her constant presence so wrought
upon his nerves that he would get up and leave her abruptly without
excuse; or shut himself into his room on the empty pretext of revising
manuscript. As a matter of fact, he spent most of the time girding at
the deliberate waste of good hours; till the consciousness of slipping
deeper into the mire and the dread of ultimate defeat became almost an
obsession, aggravated by ill-health and want of rest.
Public-domain text, read in full here on John Shaqi.
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