British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
The mingled dignity and humility of his tone so moved her that her only
answer was an impulsive pressure of the hand resting on her arm: and
they went forward for a long while without further speech, the muleteer
having set off for the summit by a series of short cuts known to his
kind.
Before long massed pines were above and below them; their jagged stems
and branches sharply imprinted on stretches of sunlit glacier, and on
the pathway in mottled patches of shadow.
Eldred Lenox walked close to his wife, one hand resting on the crupper
behind her. The man's intensity of feeling did not rise readily to the
surface; and a certain proud sensitiveness, the cardinal weakness of
big natures, withheld him from the full expression of an emotion to
which she could not adequately respond. He was content to wait, and
hope; and in the meanwhile, he walked at her side wrapt in the mere joy
of possession; one of the strongest, yet least recognised passions of a
man's heart. From time to time he glanced at her attentively; and each
glance strengthened his faith in that which had come upon him, sudden
as an earthquake, and no less subversive of ancient landmarks, of
confirmed prejudices and convictions in regard to the woman element in
man's life.
For Quita Lenox, though far from beautiful, in the accepted sense, was
undeniably good to look at. Coils of soft hair, golden in the sun,
brown in the shade; eyes neither grey nor green, intensified by
unusually large pupils, and by brows and lashes almost black; a
straight nose, low at the root; a mouth too long, too mobile for
beauty, its emotional quality safeguarded by an uncompromising chin,
completed a face whose charm lay in no particular excellence of
details; but in the vivid spirit,--quick to see, to feel, to
understand,--that informed and harmonised a somewhat contradictory
whole. An abiding sense of humour, hovering about her lips and in her
eyes, kept the world sane and sweet for her, and leavened her whole
outlook on life. A minor quality completed her charm. By virtue of
the French blood in her veins, she imparted, even to the simplest
garments, an air of distinction, of exquisite finish, to which an
Englishwoman rarely attains.
At three-and-twenty Quita Lenox was very artist, though not, as yet,
very woman. The complex Ego, which is the keystone of Art, had not
been tested and dominated by the great simple forces, which are the
keystone of life.
But her husband was in no mood to analyse her appearance, or her charm.
He wanted beyond all things to know what was passing in her mind, and
because his own thoughts were too passionate for utterance, he waited
for her to speak. But for the first time in his knowledge of her, he
waited in vain. Protracted silence on her part was a phenomenon so
unusual, that at length he turned to her definitely, a shadow of
misgiving in his clear Northern eyes.
"Are you thinking over it all very seriously . . . now that it is done
past undoing?"
Public-domain text, read in full here on John Shaqi.
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