The great betrayal (La trahison des clercs)Benda, Julien
Philosophy
The great betrayal (La trahison des clercs)
Benda, Julien
Intellectuals; Nationalism; Philosophy, Modern
Let me recall that when, in 1914, the Chancellor Bethmann-Hollweg in
the Reichstag hinted at a sort of apology for the violation of Belgian
neutrality, he was sharply reproved by the Christian minister von
Harnack ‘for having tried to excuse what did not need excusing’. (See
A. Loisy, _Guerre et Religion_, p. 14.)
[41] The clergy of the allied nations are eager to throw in the faces
of the German clergy their union with injustice in 1914. They abuse
their own good fortune in belonging to nations whose cause happened
to be just. When Italy, in 1923, at the time of the Corfu incident,
adopted towards Greece an attitude as unjust as that of Austria towards
Serbia in 1914, I am not aware that the Italian clergy expressed
indignation. Nor do I remember that in 1900, when a European army
intervened in Chinese affairs (the Boxer affair) and excesses were
committed by the soldiers, any strong protests were uttered by the
clergies of the respective nations.
[42] A particularly remarkable attitude was that of the philosopher
Boutroux. You will find an admirable denunciation of it from the pen of
Charles Andler, _Les Origines du Pangermanisme_, p. viii.
[43] This may be seen especially in the chorus of the Seven against
Thebes: ‘Gods of our City, let it not be destroyed with our houses and
our hearths.... O ye who have dwelt therein so long, will ye betray
this land?’ Six centuries later this may be seen in the ‘Aeneid’, where
the preservation of the Trojan City across the seas is plainly due
solely to the protection of Juno, and in no wise to any inward notion
of Trojan blood giving it an assurance of eternal duration.
[44] Although the Germans appear to have been the inventors of the
passion I am denouncing, Lessing and Schlegel seem to have been the
first to brandish their poets as the expression of the national
soul, from a feeling of exasperation with the universalism of French
literature. The men of the French Pléiade (who will certainly be
brought up against me) wished to give their sensibility a national
mode of expression, a national language; they never claimed to give
a national character to that sensibility, to oppose it to other
national sensibilities. The systematic nationalization of the mind
is undoubtedly an invention of modern times. As regards the men of
learning, this nationalizing has undoubtedly been favoured by the
disappearance of Latin as the scientific language; and no one will ever
be able to say to what an extent this disappearance was an element of
arrest in civilisation.
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