The room was silent when he had finished the verse--with one
exception, that of the man in the chimney-corner, who, at the singer's
word, "Chorus!" joined him in a deep bass voice of musical relish:
"And waft 'em to a far countree!"
Oliver Giles, John Pitcher the dairyman, the parish-clerk, the engaged
man of fifty, the row of young women against the wall, seemed lost in
thought not of the gayest kind. The shepherd looked meditatively on
the ground, the shepherdess gazed keenly at the singer, and with some
suspicion; she was doubting whether this stranger were merely singing
an old song from recollection, or was composing one there and then for
the occasion. All were as perplexed at the obscure revelation as the
guests at Belshazzar's Feast, except the man in the chimney-corner,
who quietly said, "Second verse, stranger," and smoked on.
The singer thoroughly moistened himself from his lips inward, and went
on with the next stanza as requested:
"My tools are but common ones,
Simple shepherds all--
My tools are no sight to see:
A little hempen string, and a post whereon to swing,
Are implements enough for me!"
Shepherd Fennel glanced round. There was no longer any doubt that the
stranger was answering his question rhythmically. The guests one and
all started back with suppressed exclamations. The young woman engaged
to the man of fifty fainted half-way, and would have proceeded,
but finding him wanting in alacrity for catching her she sat down
trembling.
"O, he's the--!" whispered the people in the background, mentioning
the name of an ominous public officer. "He's come to do it! 'Tis to be
at Casterbridge jail to-morrow--the man for sheep-stealing--the poor
clock-maker we heard of, who used to live away at Shottsford and had
no work to do--Timothy Summers, whose family were a-starving, and so
he went out of Shottsford by the high-road, and took a sheep in open
daylight, defying the farmer and the farmer's wife and the farmer's
lad, and every man jack among 'em. He" (and they nodded toward the
stranger of the deadly trade) "is come from up the country to do it
because there's not enough to do in his own county-town, and he's got
the place here now our own county man's dead; he's going to live in
the same cottage under the prison wall."
The stranger in cinder-gray took no notice of this whispered string of
observations, but again wetted his lips. Seeing that his friend in the
chimney-corner was the only one who reciprocated his joviality in any
way, he held out his cup toward that appreciative comrade, who also
held out his own. They clinked together, the eyes of the rest of the
room hanging upon the singer's actions. He parted his lips for the
third verse; but at that moment another knock was audible upon the
door. This time the knock was faint and hesitating.
Public-domain text, read in full here on John Shaqi.
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