The company seemed scared; the shepherd looked with consternation
toward the entrance, and it was with some effort that he resisted his
alarmed wife's deprecatory glance, and uttered for the third time the
welcoming words, "Walk in!"
The door was gently opened, and another man stood upon the mat. He,
like those who had preceded him, was a stranger. This time it was a
short, small personage, of fair complexion, and dressed in a decent
suit of dark clothes.
"Can you tell me the way to--?" he began: when, gazing round the room
to observe the nature of the company among whom he had fallen, his
eyes lighted on the stranger in cinder-gray. It was just at the
instant when the latter, who had thrown his mind into his song with
such a will that he scarcely heeded the interruption, silenced all
whispers and inquiries by bursting into his third verse:
"To-morrow is my working day,
Simple shepherds all--
To-morrow is a working day for me:
For the farmer's sheep is slain, and the lad who did it ta'en,
And on his soul may God ha' merc-y!"
The stranger in the chimney-corner, waving cups with the singer so
heartily that his mead splashed over on the hearth, repeated in his
bass voice as before:
"And on his soul may God ha' merc-y!"
All this time the third stranger had been standing in the doorway.
Finding now that he did not come forward or go on speaking, the guests
particularly regarded him. They noticed to their surprise that he
stood before them the picture of abject terror--his knees trembling,
his hand shaking so violently that the door-latch by which he
supported himself rattled audibly: his white lips were parted, and his
eyes fixed on the merry officer of justice in the middle of the room.
A moment more and he had turned, closed the door, and fled.
"What a man can it be?" said the shepherd.
The rest, between the awfulness of their late discovery and the odd
conduct of this third visitor, looked as if they knew not what to
think, and said nothing. Instinctively they withdrew further and
further from the grim gentleman in their midst, whom some of them
seemed to take for the Prince of Darkness himself, till they formed
a remote circle, an empty space of floor being left between them and
him--
"... circulus, cujus centrum diabolus."
The room was so silent--though there were more than twenty people in
it--that nothing could be heard but the patter of the rain against the
window-shutters, accompanied by the occasional hiss of a stray drop
that fell down the chimney into the fire, and the steady puffing of
the man in the corner, who had now resumed his pipe of long clay.
The stillness was unexpectedly broken. The distant sound of a gun
reverberated through the air--apparently from the direction of the
county-town.
"Be jiggered!" cried the stranger who had sung the song, jumping up.
"What does that mean?" asked several.
"A prisoner escaped from the jail--that's what it means."
Public-domain text, read in full here on John Shaqi.
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