The Great Events by Famous Historians, Volume 07 — John Shaqi
The Great Events by Famous Historians, Volume 07
History
The Great Events by Famous Historians, Volume 07
World history
The _Commedia_, at the first glance, shows the traces of its author's
life. It is the work of a wanderer. The very form in which it is cast is
that of a journey, difficult, toilsome, perilous, and full of change. It
is more than a working out of that touching phraseology of the Middle
Ages in which "the way" was the technical theological expression for
this mortal life; and "viator" meant man in his state of trial, as
"comprehensor" meant man made perfect, having attained to his heavenly
country. It is more than merely this. The writer's mind is full of the
recollections and definite images of his various journeys. The permanent
scenery of the _inferno_ and _purgatorio_, very variously and distinctly
marked, is that of travel. The descent down the sides of the Pit, and
the ascent of the Sacred Mountain, show one familiar with such
scenes--one who had climbed painfully in perilous passes, and grown
dizzy on the brink of narrow ledges over sea or torrent. It is scenery
from the gorges of the Alps and Apennines, or the terraces and
precipices of the Riviera. Local reminiscences abound. The severed rocks
of the Adige Valley--the waterfall of St. Benedetto; the crags of
Pietra-pana and St. Leo, which overlook the plains of Lucca and Ravenna;
the "fair river" that flows among the poplars between Chiaveri and
Sestri; the marble quarries of Carrara; the "rough and desert ways
between Lerici and Turbia," and whose towery cliffs, going sheer into
the deep sea at Noli, which travellers on the Corniche road some thirty
years ago may yet remember with fear. Mountain experience furnished that
picture of the traveller caught in an Alpine mist and gradually climbing
above it; seeing the vapors grow thin, and the sun's orb appear faintly
through them; and issuing at last into sunshine on the mountain top,
while the light of sunset was lost already on the shores below:
"Ai raggi, morti gia' bassi lidi,"[40]
or that image of the cold dull shadow over the torrent, beneath
the Alpine fir:
"Un' ombra smorta
Qual sotto foglie verdi e rami nigri
Sovra suoi freddi rivi, l'Alpe porta;"[41]
or of the large snowflakes falling without wind among the mountains:
"d'un cader lento
Piovean di fuoco dilatate falde
Come di neve in Alpe senza vento."[42]
Public-domain text, read in full here on John Shaqi.
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