In such turmoil was the land that it seemed necessary to summon the "States-General," the assembly of all the notables of France, the last one to be called until that eventful year of 1789. The States-General talked and dissolved, having done nothing but reveal that there was one capable man among its members, a young bishop who was to be a cardinal, Richelieu. His plans for reform and pacification were not adopted, but he drew the attention of the Queen Regent and became her chief adviser, later the chief adviser of the King. Richelieu did four things for France. He broke the power of the Huguenots, who had become a political party, and a very troublesome one, a state within a state, independent and defiant, with their impenetrable capital at La Rochelle. After one of the most remarkable sieges of history Richelieu captured La Rochelle, crushed the resistance of the Huguenots by repeated defeats elsewhere, and then--granted them complete religious freedom![10] It is one of the epochs of the world, the beginning of toleration not through force, but through free-will. A Catholic and a cardinal, having complete power to force these Protestants to his will, bids them worship as they choose, asking only that they become patriotic Frenchmen. Next Richelieu humbled the great nobles of France, hanging them when they disobeyed his laws. Next by his part in the Thirty Years' War he won territory from both Germany and Spain. He was by no means the first Catholic ruler thus to seek Protestant allies; Francis I and Henry II had both done so in France; in Germany Charles V had sent a Lutheran army against the Pope. But it was Richelieu's successful adherence to this plan that positively and finally relegated religion to a minor place in statecraft, and made nationality, political supremacy, what some have called "vainglory," the foremost impulse. Last, not least, in Richelieu's brilliant career, is to be noted that he revived literature in France. He created the "French Academy," the "forty immortals" in whose successors Paris still takes pride to-day. The French drama was born. Corneille wrote _The Cid_, and the Cardinal himself took his pen and attempted to produce a better tragedy. Comedy, too, arose. Molière began the marvellous career which a little later was to make him the undying idol of the stage in France.[11]