The Great German ComposersFerris, George T. (George Titus)
History
The Great German Composers
Ferris, George T. (George Titus)
Musicians -- Germany
Haydn is illustrious in the history of art as a complete artistic life,
which worked out all of its contents as did the great Goethe. In the
words of a charming writer: "His life was a rounded whole. There was no
broken light about it; it orbed slowly, with a mild, unclouded lustre,
into a perfect star. Time was gentle with him, and Death was kind, for
both waited upon his genius until all was won. Mozart was taken away at
an age when new and dazzling effects had not ceased to flash through
his brain: at the very moment when his harmonies began to have a
prophetic ring of the nineteenth century, it was decreed that he should
not see its dawn. Beethoven himself had but just entered upon an unknown
'sea whose margin seemed to fade forever and forever as he moved;' but
good old Haydn had come into port over a calm sea and after a prosperous
voyage. The laurel wreath was this time woven about silver locks; the
gathered-in harvest was ripe and golden."
MOZART.
I.
The life of Wolfgang Amadeus Mozart, one of the immortal names in music,
contradicts the rule that extraordinary youthful talent is apt to be
followed by a sluggish and commonplace maturity. His father entered the
room one day with a friend, and found the child bending over a music
score. The little Mozart, not yet five years old, told his father he was
writing a concerto for the piano. The latter examined it, and tears of
joy and astonishment rolled down his face on perceiving its accuracy.
"It is good, but too difficult for general use," said the friend.
"Oh," said Wolfgang, "it must be practised till it is learned. This is
the way it goes." So saying, he played it with perfect correctness.
About the same time he offered to take the violin at a performance of
some chamber music. His father refused, saying, "How can you? You have
never learned the violin."
"One needs not study for that," said this musical prodigy; and taking
the instrument, he played second violin with ease and accuracy. Such
precocity seems almost incredible, and only in the history of music does
it find any parallel.
Born in Salzburg, January 27, 1756, he was carefully trained by his
father, who resigned his place as court musician to devote himself
more exclusively to his family. From the earliest age he showed an
extraordinary passion for music and mathematics, scrawling notes and
diagrams in every place accessible to his insatiate pencil.
Public-domain text, read in full here on John Shaqi.
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