The Great German ComposersFerris, George T. (George Titus)
History
The Great German Composers
Ferris, George T. (George Titus)
Musicians -- Germany
During this period he made frequent concert tours to recruit his
fortunes, but with little financial success. Presents of watches,
snuff-boxes, and rings were common, but the returns were so small that
Mozart was frequently obliged to pawn his gifts to purchase a dinner and
lodging. What a comment on the period which adored genius, but allowed
it to starve! His audiences could be enthusiastic enough to carry him
to his hotel on their shoulders, but probably never thought that the
wherewithal of a hearty supper was a more seasonable homage. So our
musician struggled on through the closing years of his life with the
wolf constantly at his door, and an invalid wife whom he passionately
loved, yet must needs see suffer from the want of common necessaries. In
these modern days, when distinguished artists make princely fortunes
by the exercise of their musical gifts, it is not easy to believe that
Mozart, recognized as the greatest pianoforte player and composer of his
time by all of musical Germany, could suffer such dire extremes of want
as to be obliged more than once to beg for a dinner. In 1791 he composed
the score of the "Magic Flute" at the request of Schikaneder, a Viennese
manager, who had written the text from a fairy tale, the fantastic
elements of which are peculiarly German in their humor. Mozart put
great earnestness into the work, and made it the first German opera of
commanding merit, which embodied the essential intellectual sentiment
and kindly warmth of popular German life. The manager paid the composer
but a trifle for a work whose transcendent success enabled him to build
a new opera-house and laid the foundation of a large fortune. We are
told, too, that at the time of Mozart's death in extreme want, when his
sick wife, half maddened with grief, could not buy a coffin for the dead
composer, this hard-hearted wretch, who owed his all to the genius of
the great departed, rushed about through Vienna bewailing the loss to
music with sentimental tears, but did not give the heart-broken widow
one kreutzer to pay the expense of a decent burial.
In 1791 Mozart's health was breaking down with great rapidity, though
he himself would never recognize his own swiftly advancing fate. He
experienced, however, a deep melancholy which nothing could remove. For
the first time his habitual cheerfulness deserted him. His wife had been
enabled through the kindness of her friends to visit the healing waters
of Baden, and was absent.
Public-domain text, read in full here on John Shaqi.
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