The Great German ComposersFerris, George T. (George Titus)
History
The Great German Composers
Ferris, George T. (George Titus)
Musicians -- Germany
The charming countess, however, preferred rank, wealth, and unruffled
ease to being linked even with a great genius, if, indeed, the affair
ever looked in the direction of marriage. She married another, and
Beethoven does not seem to have been seriously disturbed. It may be
that, like Goethe, he valued the love of woman not for itself or its
direct results, but as an art-stimulus which should enrich and fructify
his own intellectual life.
We get glimpses of successors to the fair countess. The beautiful Marie
Pachler was for some time the object of his adoration. The affair is a
somewhat mysterious one, and the lady seems to have suffered from the
fire through which her powerful companion passed unscathed. Again,
quaintest and oddest of all, is the fancy kindled by that "mysterious
sprite of genius," as one of her contemporaries calls her, Bettina
Brentano, the gifted child-woman, who fascinated all who came within her
reach, from Goethe and Beethoven down to princes and nobles. Goethe's
correspondence with this strange being has embalmed her life in classic
literature.
Our composer's intercourse with women--for he was always alive to the
charms of female society--was for the most part homely and practical in
the extreme, after his deafness destroyed the zest of the more romantic
phases of the divine passion. He accepted adoration, as did Dean Swift,
as a right. He permitted his female admirers to knit him stockings and
comforters, and make him dainty puddings and other delicacies, which he
devoured with huge gusto. He condescended, in return, to go to sleep on
their sofas, after picking his teeth with the candle-snuffers (so
says scandal), while they thrummed away at his sonatas, the artistic
slaughter of which Beethoven was mercifully unable to hear.
V.
The friendship of the Archduke Rudolph relieved Beethoven of the
immediate pressure of poverty; for in 1809 he settled a small
life-pension upon him. The next ten years were passed by him in
comparative ease and comfort, and in this time he gave to the world five
of his immortal symphonies, and a large number of his finest sonatas and
masses. His general health improved very much; and in his love for his
nephew Karl, whom Beethoven had adopted, the lonely man found an outlet
for his strong affections, which was medicine for his soul, though the
object was worthless and ungrateful.
Public-domain text, read in full here on John Shaqi.
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