“I never experienced such a feeling of horror as when I read the
account of Argentine’s death. I didn’t understand it at the time, and I
don’t now. I knew him well, and it completely passes my understanding
for what possible cause he—or any of the others for the matter of
that—could have resolved in cold blood to die in such an awful manner.
You know how men babble away each other’s characters in London, you may
be sure any buried scandal or hidden skeleton would have been brought
to light in such a case as this; but nothing of the sort has taken
place. As for the theory of mania, that is very well, of course, for
the coroner’s jury, but everybody knows that it’s all nonsense.
Suicidal mania is not small-pox.”
Austin relapsed into gloomy silence. Villiers sat silent, also,
watching his friend. The expression of indecision still fleeted across
his face; he seemed as if weighing his thoughts in the balance, and the
considerations he was resolving left him still silent. Austin tried to
shake off the remembrance of tragedies as hopeless and perplexed as the
labyrinth of Daedalus, and began to talk in an indifferent voice of the
more pleasant incidents and adventures of the season.
“That Mrs. Beaumont,” he said, “of whom we were speaking, is a great
success; she has taken London almost by storm. I met her the other
night at Fulham’s; she is really a remarkable woman.”
“You have met Mrs. Beaumont?”
“Yes; she had quite a court around her. She would be called very
handsome, I suppose, and yet there is something about her face which I
didn’t like. The features are exquisite, but the expression is strange.
And all the time I was looking at her, and afterwards, when I was going
home, I had a curious feeling that very expression was in some way or
another familiar to me.”
“You must have seen her in the Row.”
“No, I am sure I never set eyes on the woman before; it is that which
makes it puzzling. And to the best of my belief I have never seen
anyone like her; what I felt was a kind of dim far-off memory, vague
but persistent. The only sensation I can compare it to, is that odd
feeling one sometimes has in a dream, when fantastic cities and
wondrous lands and phantom personages appear familiar and accustomed.”
Villiers nodded and glanced aimlessly round the room, possibly in
search of something on which to turn the conversation. His eyes fell on
an old chest somewhat like that in which the artist’s strange legacy
lay hid beneath a Gothic scutcheon.
“Have you written to the doctor about poor Meyrick?” he asked.
Public-domain text, read in full here on John Shaqi.
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