The Great God Success: A NovelPhillips, David Graham
General
The Great God Success: A Novel
Phillips, David Graham
Journalists -- United States -- Fiction
“Yes. I’m on space--what they call a space writer. If a man is of any
account here they gradually raise him to twenty-five dollars a week and
then put him on space. That means that he will make anywhere from forty
to a hundred a week, or perhaps more at times. The average for the best
is about eighty.”
“Eighty dollars a week,” thought Howard. “Fifty-two times eighty is
forty-one hundred and sixty. Four thousand a year, counting out
two weeks for vacation.” To Howard it seemed wealth at the limit of
imagination. If he could make so much as that!--he who had grave doubts
whether, no matter how hard he worked, he would ever wrench a living
from the world.
Just then a seedy young man with red hair and a red beard came through
the gate in the railing, nodded to Kittredge and went to a desk well up
toward the daylight end of the room.
“That’s the best of ‘em all,” said Kittredge in a low tone. “His name is
Sewell. He’s a Harvard man--Harvard and Heidelberg. But drink! Ye gods,
how he does drink! His wife died last Christmas--practically starvation.
Sewell disappeared--frightful bust. A month afterward they found him
under an assumed name over on Blackwell’s Island, doing three months for
disorderly conduct. He wrote a Christmas carol while his wife was dying.
It began “Merrily over the Snow” and went on about light hearts and
youth and joy and all that--you know, the usual thing. When he got the
money, she didn’t need it or anything else in her nice quiet grave over
in Long Island City. So he ‘blew in’ the money on a wake.”
Sewell was coming toward them. Kittredge called out: “Was it a good
story, Sam?”
“Simply great! You ought to have seen the room. Only the bed and the
cook-stove and a few dishes on a shelf--everything else gone to the
pawnshop. The man must have killed the children first. They lay side by
side on the bed, each with its hands folded on its chest--suppose the
mother did that; and each little throat was cut from ear to ear--suppose
the father did that. Then he dipped his paint brush in the blood and
daubed on the wall in big scrawling letters: ‘There is no God!’ Then
he took his wife in his arms, stabbed her to the heart and cut his own
throat. And there they lay, his arms about her, his cheek against hers,
dead. It was murder as a fine art. Gad, I wish I could write.”
Kittredge introduced Howard--“a Yale man--just came on the paper.”
“Entering the profession? Well, they say of the other professions that
there is always room at the top. Journalism is just the reverse. The
room is all at the bottom--easy to enter, hard to achieve, impossible to
leave. It is all bottom, no top.” Sewell nodded, smiled attractively in
spite of his swollen face and his unsightly teeth, and went back to his
work.
“He’s sober,” said Kittredge when he was out of hearing, “so his story
is pretty sure to be the talk of Park Row tomorrow.”
Public-domain text, read in full here on John Shaqi.
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