The Great Horse; or, The War Horse: from the time of the Roman Invasion till its development into the Shire Horse. — John Shaqi
The Great Horse; or, The War Horse: from the time of the Roman Invasion till its development into the Shire Horse.Gilbey, Walter, Sir
History
The Great Horse; or, The War Horse: from the time of the Roman Invasion till its development into the Shire Horse.
Gilbey, Walter, Sir
Horses; Horses -- Great Britain -- History; Shire horse
We have now reached a period when painters of animal pictures were
sometimes commissioned to execute portraits of fine examples of horses,
cattle and sheep. The engraving which faces this page is from a picture
by Mr. Woodward of a Norfolk Cart Horse called DODMAN (East Anglian for
“Snail”), of whose pedigree unfortunately no particulars exist, but
which was foaled in the year 1780. This horse was the property of an
ancestor of Anthony Hamond, Esq., and the portrait is preserved at his
family seat in the parish of Westacre near Brandon. The long hair-lock
hanging from the knee arrests the eye; this appendage, like a moustache
on the upper lip and a hair lock projecting from the back of the hock,
is regarded as the distinguishing mark of a strain or variety of the
Shire. DODMAN seems to have been used as a stallion in the district
whence was obtained, nearly a century later, HONEST TOM (1105), whose
portrait faces page 60.
Our next engraving is from a picture by George Morland, which was
probably painted at about the same date as that of DODMAN. That artist,
between 1790 and 1795, went into hiding in Leicestershire to escape from
his creditors; he took up his abode in the neighbourhood of Mr.
Bakewell’s famous Dishley Farm; and the horse portrayed resembles in no
small degree pictures of some of Mr. Bakewell’s stud, which at that
period had attained its highest repute. It is therefore exceedingly
likely that this represents a typical Leicestershire Cart Horse of the
time. It belongs to a type differing in some respects from DODMAN, being
longer in the body, finer about the head and lacking the hair-lock in
front of the knee, while the mane, tail, and feathering on the legs are
less profuse. These two portraits afford opportunity of comparing two
varieties of the Shire, the Fenland and the Leicestershire.
The _Sporting Magazine_ of 1796 contains an article headed “Operations
on British
[Illustration: A LEICESTER SHIRE HORSE (1790-1795); after the Picture by
George Morland.]
Horses,” in which the following passage occurs:--
“We have a large and strong breed in the more fertile and luxuriant
parts of the island; and there is no country can bring a parallel
to the strength and size of our horses destined for the draught, as
there are instances of single horses that are able to draw the
weight of three tons.”
Public-domain text, read in full here on John Shaqi.
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