The Great ImpersonationOppenheim, E. Phillips (Edward Phillips)
General
The Great Impersonation
Oppenheim, E. Phillips (Edward Phillips)
Spy stories
For the first few tangled moments of nightmare, slowly developing into a
live horror, Dominey fancied himself back in Africa, with the hand of an
enemy upon his throat. Then a rush of awakened memories--the silence of
the great house, the mysterious rustling of the heavy hangings around
the black oak four-poster on which he lay, the faint pricking of
something deadly at his throat--these things rolled back the curtain of
unreality, brought him acute and painful consciousness of a situation
almost appalling. He opened his eyes, and although a brave and callous
man he lay still, paralysed with the fear which forbids motion. The dim
light of a candle, recently lit, flashed upon the bodkin-like dagger
held at his throat. He gazed at the thin line of gleaming steel,
fascinated. Already his skin had been broken, a few drops of blood
were upon the collar of his pyjamas. The hand which held that deadly,
assailing weapon--small, slim, very feminine, curving from somewhere
behind the bed curtain--belonged to some unseen person. He tried to
shrink farther back upon the pillow. The hand followed him, displaying
glimpses now of a soft, white-sleeved arm. He lay quite still, the
muscles of his right arm growing tenser as he prepared for a snatch at
those cruel fingers. Then a voice came,--a slow, feminine and rather
wonderful voice.
“If you move,” it said, “you will die. Remain quite still.”
Dominey was fully conscious now, his brain at work, calculating his
chances with all the cunning of the trained hunter who seeks to avoid
death. Reluctantly he was compelled to realise that no movement of his
could be quick enough to prevent the driving of that thin stiletto into
his throat, if his hidden assailant should keep her word. So he lay
still.
“Why do you want to kill me?” he asked, a little tensely.
There was no reply, yet somehow he knew that he was being watched. Ever
so slightly those curtains around which the arm had come, were being
parted. Through the chink some one was looking at him. The thought came
that he might call out for help, and once more his unseen enemy read his
thought.
“You must be very quiet,” the voice said,--that voice which it was
difficult for him to believe was not the voice of a child. “If you even
speak above a whisper, it will be the end. I wish to look at you.”
A little wider the crack opened, and then he began to feel hope. The
hand which held the stiletto was shaking, he heard something which
sounded like quick breathing from behind the curtains--the breathing of
a woman astonished or terrified--and then, so suddenly that for several
seconds he could not move or take advantage of the circumstance, the
hand with its cruel weapon was withdrawn around the curtain and a woman
began to laugh, softly at first, and then with a little hysterical sob
thrusting its way through that incongruous note of mirth.
Public-domain text, read in full here on John Shaqi.
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