The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
History
The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
Epic literature, Sanskrit -- Adaptations; Heroes -- India -- Fiction; Hindu mythology -- Fiction; India -- Social life and customs -- Fiction
foe with such effect that he eventually laid her dead at his feet, to
the joy of Vishwamitra and the relief of the denizens of the great
forest over which she had terrorized.
After this successful combat, the ascetic, Vishwamitra, conferred
on Rama a gift of strange weapons, which even the celestials were
incapable of wielding. How very different the magic weapons received by
Rama were from those familiar to the sons of men, will be apparent from
the poet’s statement that the weapons themselves made their appearance
spontaneously before Rama, “and with clasped hands, they, well-pleased,
addressed Rama thus: These, O highly generous one, are thy servants, O
Raghava. Whatever thou wishest, good betide thee, shall by all means be
accomplished by us.”
Such wonderful and efficient weapons, endowed with a consciousness and
individuality of their own, needed, however, to be kept under strict
control, lest in their over-zeal or excitement they might effect
undesigned and irreparable mischief. The sage accordingly communicated
to Rama the various _mantras_ or spells by which they might, on
critical occasions, be restrained and regulated in their operations.
In their woodland wanderings amongst the hermitages the brothers and
their guide came across many sages whose laborious austerities were
constantly being hindered by wicked, flesh-eating Rakshasas. Indeed
the world, outside the cities and villages,--which it would seem were
very few and far between,--as pictured by Valmiki, is a very strange
one, mostly peopled by two sets of beings, _hermits_ striving after
supernatural power through the practice of austerities, and _demons_
bent on frustrating their endeavours by unseasonable interruptions of
their rites, or impious pollution of their sacrifices. Sometimes, as in
the case of Ravana, the demons themselves would practise austerities
for the attainment of power.
Very prominent figures in the poem are the great ascetics, like
Vishwamitra himself, who, a Kshatriya by caste and a king by lineage,
had obtained, through dire austerities prolonged over thousands of
years, the exalted rank and power of _Brahmanhood_. A single example of
his self-inflicted hardships and the consequences resulting therefrom
may not be out of place. He once restrained his breath for a thousand
years, when vapours began to issue from his head, “and at this the
three worlds became afflicted with fear.” Like most of his order,
he was a very proud and irate personage, ready, upon very slight
provocation, to utter a terrible and not-to-be-escaped-from curse.[23]
Once, in a fit of rage against the celestials, Vishwamitra created
entire systems of stars and even threatened, in his fury, to create
another India by “the process of his self-earned asceticism.”
Public-domain text, read in full here on John Shaqi.
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