The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
History
The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
Epic literature, Sanskrit -- Adaptations; Heroes -- India -- Fiction; Hindu mythology -- Fiction; India -- Social life and customs -- Fiction
Amongst the long line of kings descended from Chandra, the Moon, who
reigned in Northern India, was Shantanu, with whom our narrative may
conveniently commence. This king was, like most of the sovereigns of
his house, a pious man and an able administrator, whose sway, we are
told, was owned _by the whole world_. He had two wives in succession,
first the goddess Ganga, afterwards Satyavati, and the story of his
loves is worth recording.
Strange as it may seem, his marriage with the lovely Ganga, the
divinity of the sacred river Ganges, resulted from a curse uttered
by one of those terrible saints, so common in Indian poetry, whose
irritability of temper seems to have been in direct proportion to
the importance of their austerities. The saint in question, Vasishta
by name, was once engaged in his devotions when a party of celestial
beings, known as Vasus, unwittingly passed between him and the rising
or setting sun. “Be born among men!” exclaimed the irate Rishi to the
unwelcome intruders, and his malediction, once uttered was, of course,
irrevocable.[56] Expelled from Heaven, these unfortunate Vasus were
met by the goddess Ganga to whom they explained their sad destiny,
imploring of her to become a woman, so that they might be born of her
and not of a mere mortal. The goddess who, on account of a slight
indiscretion on her part, was herself under the obligation of assuming
the human form, agreed to their proposal, and made choice of Shantanu
to be their father. The goddess promised the Vasus that as each one of
them was born of her, he should be thrown, as a mere infant, into the
water and destroyed, so that all might regain their celestial home as
speedily as possible. But Ganga stipulated that each one of the Vasus
should contribute an eighth part of his energy for the production of
a son who should be allowed to live his life on earth, but should
himself die childless. These preliminaries being settled amongst the
gods, behind the scenes as it were, the play had to be played out on
the terrestrial stage with men as the puppets. To this end Ganga took
an opportunity of presenting herself before Shantanu for the purpose
of captivating his heart,--no difficult task for the goddess. So,
one day as he was wandering along the banks of the Ganges, “he saw a
lovely maiden of blazing beauty and like unto another _Sree_ herself.
Of faultless and pearly teeth and decked with celestial ornaments, she
was attired in garments of fine texture, and resembled in splendour
the filaments of the lotus. And the monarch beholding that damsel
became surprised. With steadfast gaze he seemed to be drinking her
charms, but repeated draughts failed to quench his thirst. The damsel
also beholding the monarch of blazing splendour moving about in great
agitation, was moved herself, and experienced an affection for him. She
gazed and gazed and longed to gaze at him evermore. The monarch then in
soft words addressed her and said: ‘O thou slender-waisted one, beest
Public-domain text, read in full here on John Shaqi.
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