The Great Invasion of 1813-14; or, After Leipzig: Being a story of the entry of the allied forces into Alsace and Lorraine, and their march upon Paris after the Battle of Leipzig, called the Battle of the Kings and Nations — John Shaqi
The Great Invasion of 1813-14; or, After Leipzig: Being a story of the entry of the allied forces into Alsace and Lorraine, and their march upon Paris after the Battle of Leipzig, called the Battle of the Kings and NationsErckmann-Chatrian
History
The Great Invasion of 1813-14; or, After Leipzig: Being a story of the entry of the allied forces into Alsace and Lorraine, and their march upon Paris after the Battle of Leipzig, called the Battle of the Kings and Nations
Erckmann-Chatrian
France -- History -- Invasion of 1814 -- Fiction; French fiction -- Translations into English
Now on a certain day, towards the middle of the month of December,
1813, between three and four o'clock in the afternoon, Hullin, squatted
on his bench, was busily engaged in finishing off a pair of iron-bound
sabots for the wood-cutter, Rochart. Louise had just placed a little
earthen pipkin on the brazen stove, the fire in which was crackling
and roaring with a plaintive sound, while the old clock marked the
seconds with its monotonous tick. Outside, all along the street, were
to be seen pools of water covered with a thin white coating of ice,
showing that winter was near at hand. At intervals was heard the sound
of thick sabots on the hard ground, and then a felt hat, a hood, or a
white cap would go by, and all would be still again, the silence only
broken by the gentle hum of Louise's spinning-wheel, and the singing
of the _marmite_ on the stove. This had lasted for about two hours,
when Hullin, happening to cast a glance through the little glazed
window-panes, suddenly left off working, and remained staring with his
eyes wide open as if struck by an unusual sight.
In fact, at the turning of the street, just opposite the inn of the
"Three Pigeons," there was seen coming, in the midst of a troop of
urchins, whistling, hooting, leaping, and yelling--"The King of
Diamonds! the King of Diamonds!"--there was seen coming, I say, the
strangest figure it is possible to imagine. Just picture to yourself a
man with red hair and beard, a grave face, sullen eye, straight nose,
his eyebrows joined in the middle of his forehead, a circlet of tin on
his head; a long-haired, iron-gray sheepskin floating from his back,
the two fore-paws of which formed the fastening around his neck; a
number of little copper crosses hanging like charms on his breast; his
legs encased in a sort of drawers made of gray cloth, fastened above
the ankle, and his feet bare. An enormous raven, his coal-black wings
relieved by a few feathers of dazzling whiteness, was perched upon his
shoulder. At first sight of him, and his stately presence, you would
have thought him one of those ancient Merovingian kings depicted in the
paintings of Montbéliard; he held in his left hand a short thick stick,
cut in the form of a sceptre, and with his right hand he made fantastic
gestures, raising his finger to heaven, and seeming to address his
suite.
Every door flew open as he passed--curious faces were pressed against
every window-pane. Some old women, from the outer steps of the doors,
called to the madman, who did not deign to turn aside his head; others
came down into the street, and tried to bar his way, but he, with head
erect and raised eyebrow, with a gesture and a word, forced them to
stand aside.
"See," said Hullin, "here is Yégof. I did not expect to see him again
this winter. It is not his usual custom. What the devil can bring him
back in such weather as this?"
Public-domain text, read in full here on John Shaqi.
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