The Great Musicians: PurcellCummings, William Hayman
History
The Great Musicians: Purcell
Cummings, William Hayman
Purcell, Henry, 1659-1695
_King Arthur_ after many years of neglect, possibly in consequence of
the loss of the score of the music, was revived at Drury Lane theatre
in 1770 with enormous success; again in 1781, in 1784, in 1803, and in
1842. The music remained unpublished until 1843, when it was edited
by Edward Taylor, the Gresham music professor, and printed by the
"Musical Antiquarian Society." Unfortunately the edition is imperfect,
several pieces being still wanting, and of those which are printed we
can be quite certain that they are not presented to us in the complete
form composed by Purcell: for instance, the first overture is simply
scored for strings, whereas Purcell freely uses flutes, hautboys, and
trumpets in other parts of the work. Professor Taylor could find no
trace of this overture excepting in the _Theatre Ayres_ published by
Mrs. Purcell in 1697, a collection which only gave string parts. Whilst
speaking of Dryden and Purcell it will be well to correct a great
blunder made by Hawkins in his _History of Music_; he writes:--
"It is said that Dryden wrote his _Alexander's Feast_ with a view
to its being set by Purcell, but that Purcell declined the task,
as thinking it beyond the power of music to express sentiments so
superlatively energetic as that ode abounds with; the truth of the
assertion may well be questioned, seeing that he composed the _Te
Deum_, and scrupled not to set to music some of the most sublime
passages in the Psalms, the Prophecy of Isaiah, and other parts of
Holy Scriptures."[41]
Had Hawkins made proper inquiry he would have discovered that
_Alexander's Feast_ was not written by Dryden until two years after
Purcell's death. This fact is verified by a letter addressed by Dryden
to his son in September, 1697, in which he says: "I am writing a song
for _St. Cecilia's Feast_," and by the additional testimony of Mr. St.
John, afterwards Lord Bolingbroke.[42]
In 1691 Purcell composed the music for _Distressed Innocence_, a
tragedy by Elkanah Settle, and also for the comedies called the
_Gordian Knot Untyed_, by an anonymous author, and _Sir Anthony Love_
by Southerne. In addition to these works he wrote an "Ode for the
Queen's Birthday," commencing "Welcome glorious morn."
Public-domain text, read in full here on John Shaqi.
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