They had but sown the wind and reaped the whirlwind. Trading and following the traditional Jewish occupation of usury, they had eaten like a canker into the heart of York. They had lived in princely style, and knew how to grind the faces of their Christian debtors, whose lives they had made miserable, and so simply fell victims to that revenge which has been aptly described as “a kind of wild justice.” Clifford’s Tower, standing where these scenes were enacted, is a roofless shell, standing isolated on its mound within the Castle walls, and obtains its name, not from its builder, but from Francis Clifford, Earl of Cumberland, who made a doorway in it in the time of Charles the First. It was ruined by explosion and fire in 1684, and so remains, shattered and overgrown with trees and grass, a picturesque object that the eye loves to linger upon in contrast with the classic buildings that occupy the old Castle wards, and speak of crime and its penalties. He who would bring back the crimes and ferocities of a hundred and fifty years or more to the mind’s eye can have his taste gratified and the most vivid pictures conjured up at the sight of such choice and thrilling relics as the horn-handled knife and fork with which the bodies of rebels captured in the ’45 were quartered; the leathern strap that Holroyd used for the purpose of hanging his father from the boughs of a cherry-tree; a fragment of the skull of Eugene Aram’s victim, Daniel Clark; the curiously varied implements used by wives and husbands who murdered their yoke-fellows, ranging from the unwifely sledge-hammer and razor wielded by wives, to the knives and pokers chiefly affected by the husbands; Jonathan Martin the incendiary’s impromptu flint and steel, and the bell rope by whose aid he escaped from the Minster; and those prime curiosities, Dick Turpin’s fetters. Even Turpin’s cell can be seen by those who, after much diligent application to the Prisons Department of the Home Office, procure the _entrée_ to the Castle; and in that “stone jug,” as the criminals of old called their cells, the imaginative can reconstruct their Turpin as they will. Many a better man than he has occupied this gloomy dungeon, but scarce a worse. [Picture: York Castle: Clifford’s Tower] III ONE of the most notorious of the criminals who were haled forth from this condemned hold to end their days on Knavesmire was Richard Turpin, who was hanged on the 17th of April, 1739. This cruel and mean ruffian, around whose sordid career the glamour of countless legends of varying degrees of impossibility has gathered, was the son of a small innkeeper and farmer at the appropriately named village of Hempstead, in Essex. The inn, called the “Crown,” almost wholly rebuilt, however, is in existence to this day, and his baptismal record may yet be read in the parish register:—“1705, Sept. 21, _Richardus_, _filius Johannis et Mariae Turpin_.”