The first impression gained of the exterior of York Minster—an impression which becomes only slightly modified on further acquaintance—is that of a vast, rambling, illogical mass of overdone ornament very much out of repair and very disappointing to the high expectations formed. Nor is the great central tower greatly calculated to arouse enthusiasm among those who know that of Lincoln. An immense mass, whose comparative scale is best seen from a distance, its severity of outline borders closely upon clumsiness, a defect which is heightened by its obviously unfinished condition and the clearly makeshift battlements that outrage the skyline with an effect as of an armoured champion wearing feminine headgear. It seems clear that the intention, either of the original architect of the tower, in the Early English period, or of those who re-cased it, some two hundred years later, was to carry it up another storey. The two western towers belong to much the same period, the years from 1433 to 1474, and have more than the usual commonplace appearance of the Perpendicular style. They form part of the most completely logical west front in England and almost the least inspired, excepting always that early Perpendicular fiasco, the west front of Winchester Cathedral. But the redeeming feature of York’s west front is the beautiful window which, whether regarded from without or within, is one of the finest details of the building, its tracery of the flowing Decorated period narrowly approaching to the French Flamboyant style and resembling in its delicacy and complicated parts the weblike design seen on the skeleton of a leaf.