The great painters' gospel : $b pictures representing scenes and incidents in the life of Our Lord Jesus Christ, with Scriptural quotations, references and suggestions for comparative studyBailey, Henry Turner
Religion
The great painters' gospel : $b pictures representing scenes and incidents in the life of Our Lord Jesus Christ, with Scriptural quotations, references and suggestions for comparative study
Bailey, Henry Turner
Jesus Christ -- Art; Jesus Christ -- Biography; Painting
No one has portrayed more clearly the characteristic attitudes of the
disciples who heard these astonishing words. John is the only one who
seems to appreciate the meaning of the sacrament. John only seems to
have recalled distinctly what followed--the touching and comforting
farewell discourses.
Hofmann, as well as Bida, shows the retreating Judas, going out into
the night. "And when they had sung a hymn, they went out unto the
mount of Olives." (Mark 14:26.)
"And they came unto a place which was named Gethesame; and he said
unto his disciples, Sit ye here, while I go yonder and pray." (Mark
14:32, Matt. 26:36.)
_Hofmann, Plate 136,_ reveals to us the Master in prayer, with Peter,
James, and John in the distance. (Mark 14:33.) The moment is that
when Jesus triumphs with the words, "Thy will be done." (Matt.
26:42.)
[Illustration: Jesus in Gethsemane.]
Plate 136. _Jesus in Gethsemane._ H. Hofmann. 1824-
_Dolci, Plate 135,_ shows the angel which came and strengthened him.
(Luke 22:43.) The angel bears the cross and the cup as symbols, but
the cup brought that which was sufficient to the occasion. (Compare
II. Cor. 12:9.)
[Illustration: Agony in the Garden.]
Plate 135. _Agony in the Garden._ Carlo Dolci. 1616-1686.
Jesus returned to the sleeping disciples. "Look," he said, "my
betrayer is close at hand." He had hardly said the words when Judas
came in sight with a crowd of people with swords and staffs. Judas
came to Jesus and exclaimed, "I am glad to see you, Rabbi," and
kissed him. (Twentieth Century N. T., Matt. 26:46-50.)
_Scheffer, Plate 137,_ attempts to place the two characters, Jesus
and Judas, in strong contrast before our eyes; but he hardly touches
even the outside!
[Illustration: Kiss of Judas.]
Plate 137. _Kiss of Judas._ Ary Scheffer.
_Hofmann, Plate 138,_ represents the captive Christ. Judas, smitten
already with remorse, skulks along clutching his bag of silver. Mary
is watching from a distance. John is weeping upon Peter's neck. "So
the band and the chief captain and the officers of the Jews, seized
Jesus, and bound him, and led him to Annas." (John 18:12-13.) Simon
Peter and another disciple followed Jesus afar off, and managed to
gain admittance to the court of the high priest's house. There Peter
denied his Lord.
[Illustration: Jesus Taken Captive.]
Plate 138. _Jesus Taken Captive._ H. Hofmann. 1824-
_West, Plate 140,_ represents Peter denying before the maid-servant
(John 18:17), evidently the first time, for he was more violent the
second time the maid questioned him. (Mark 14:70-71.) The painter has
introduced the figure of Jesus to make the picture more intelligible.
The maid seems to be asking Jesus if Peter has told the truth.
[Illustration: Peter's Denial of Christ.]
Plate 140. _Peter's Denial of Christ._ Benjamin West. 1738-1820.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account