_Naack, Plate 159,_ has designed a panel which presents a synthesis of the various accounts of the resurrection, and adds the symbols of victory and triumph. Other artists have given more literal renderings of particular texts. For example: [Illustration: The Resurrection.] Plate 159. _The Resurrection._ A. Naack. _Hofmann, Plate 160,_ has Mary sitting upon the stone outside the tomb, weeping (John 20:11), and the risen Christ approaching her from behind. [Illustration: Easter Morning.] Plate 160. _Easter Morning._ H. Hofmann. 1824- _Di Credi, Plate 162,_ has selected the instant when Mary, turning, appeals to "the gardener," as she supposes, to show her where the body of Jesus has been hidden. (John 20:14-15.) [Illustration: Christ Appearing to Magdalene.] Plate 162. _Christ Appearing to Magdalene._ Lorenzo Di Credi. 1459- 1537. _Plockhoerst, Plate 161,_ expresses the joyful surprise of Mary when she recognizes her Lord. Jesus is directing her to go to his brethren and say, "I ascend unto my Father and your Father, and my God and your God." (John 20:17.) One hand is held as a warning to Mary not to touch him, the other points upward towards heaven. [Illustration: Risen Lord and Mary Magdalene.] Plate 161. _Risen Lord and Mary Magdalene._ B. Plockhoerst. 1825- AFTER THE RESURRECTION. In the afternoon, after the resurrection, two disciples on the way to Emmaus found themselves accompanied by a stranger with wondrous power as an expositor of scripture. (Luke 24:13-27.) _Plockhoerst, Plate 164,_ takes us along the road with the three. The speaker is asking, "Was not the Christ bound to undergo all this before entering upon his glory?" (Verse 26.) [Illustration: Walk to Emmaus.] Plate 164. _Walk to Emmaus._ B. Plockhoerst. 1825- _Scheffer, Plate 163,_ shows Mary of Magdala, Mary the mother of James, and another woman who, after their vision at the sepulchre, are on their way to tell the disciples. (Luke 24:9-10.) These are the women whose words seemed to the disciples but idle tales unworthy of belief. (Verse 11.) [Illustration: Three Marys.] Plate 163. _Three Marys._ Ary Scheffer. 1795-1858. _Hofmann, Plate 166,_ shows the two urging the stranger to stop at Emmaus. (Verses 28, 29.) [Illustration: Walk to Emmaus.] Plate 166. _Walk to Emmaus._ H. Hofmann. 1824- _Fuerst, Plate 165,_ shows them inviting him into the house. (Verse 29.) [Illustration: Walk to Emmaus.] Plate 165. _Walk to Emmaus._ M. Fuerst. _Mueller, Plate 167,_ illustrates verse 30, "he took the bread and blessed it." [Illustration: Supper at Emmaus.] Plate 167. _Supper at Emmaus._ Carl Mueller. 1839- _Diethe, Plate 168,_ shows him in the act of breaking the bread. [Illustration: Supper at Emmaus.] Plate 168. _Supper at Emmaus._ Alfred Diethe. 1836- In the picture of _Rembrandt, Plate 169,_ the glory appears, and the disciples recognize the Master "in the breaking of the bread." (Verses 31 and 35.)