"He did, my child. But I 'wasn't taking any'. I meant to tell you this myself when we were old married people--a week after the wedding, let's say! But since you've brought up the subject, we might as well have it out. Your money is going to restore Claremanagh, and the jolly old London house in Queen Anne's gate that my great-grandfather bought. I don't so much mind that. You'll enjoy the places. And it won't be till the tenants there turn out. I'm to have a screw from your uncle for pretending to work in the S. P. Phayre Bank: a hundred dollars a week to begin with (he offered more, but I wouldn't have it), about a fiftieth part of which I'll really earn. But even that will bring me nearly a hundred pounds a month, so I shan't disgrace my wife by wearing paper collars or elastic-sided boots, or not getting my hair cut. Then, as my earning power increases, so will my pay. Besides, your noble guardian wants to buy my place at Maidenhead, when it's free, next spring. He'll give sixty thousand pounds, which will leave me fifty when the mortgage is paid off; and Mr. Phayre will advise me about investments. So you see, you're not marrying a pauper after all, my good girl! As for the pearls, it's only a delay--an annoying delay. When Mayen really does get back to Paris, he'll find a letter from me containing a post-dated cheque for the two hundred thousand francs, and interest. That will come out of the fifty thousand pounds, and still leave me a decent pile. Mayen will at once take steps to get the pearls to me." "But we'll be in New York," objected Juliet. "How can Monsieur Mayen send them without danger of their being stolen?" "Trust him to arrange that," Claremanagh soothed her. "There must be lots of ways. Besides, they'll be insured for their full value, which is supposed to be--intrinsic, not sentimental--one hundred thousand pounds. What I hope is, they'll be in time for you to make a show in your box at the opera--Metropolitan Opera House, you call it, don't you? You see, I've been reading up a guide book to New York! And now I've made all my explanations and excuses, my darling, you'd better open the poor little box." His arm still round her, the girl broke the jeweller's seals. Inside the white paper was a white velvet case, and inside the white velvet case was a string of white pearls. They were small, but good, and from them depended an old-fashioned, open-faced locket containing an ivory miniature of a beautiful boy. "The pearls are from me," Pat said. "The locket and miniature are from my mother. She used always to wear the locket. And when she died, eight years ago, one of the last things she did was to give it to me, 'for my bride'." Juliet Phayre would not have been human if she had not forgotten, in that moment, both Emmy West and Lyda Pavoya. CHAPTER III "TO MEET THE DUCHESS"