The Great Pearl SecretWilliamson, C. N. (Charles Norris)
General
The Great Pearl Secret
Williamson, C. N. (Charles Norris)
Detective and mystery stories; Jewelry theft -- Fiction
About this place there was always something mysterious even to Simone's
practical and unimaginative mind, and the private office of the editor
was the heart of the mystery--the inner circle of the _Inner Circle_.
For years she had been a highly paid contributor to the scandalous
little paper, ever since she had entered her first "smart" situation in
New York, and had been approved by a man whose outward business was
straightforward reporting for the "Society" columns of a reputable
daily. When in town, Simone had been in the habit of calling in person
instead of trusting to the post, and since her value had become
recognized, she was invariably received by the editor himself in that
very private sanctuary of his. Yet to this day she had never seen his
face, and did not know his real name.
"Mr. Jones will speak to you," was the message telephoned down from
regions above to the amateurish little reception room, where an
elderly, mild-faced lady in old-fashioned dress received visitors and
tapped a typewriter.
But the Frenchwoman was sure that outside the office HE was other than
"Mr. Jones," as sure as that Simone Amaranthe was at home Simonetta
Amaranti.
The editor's private office was divided practically into two by means
of a fixed screen or partition of match-boarding so high that even if
an enterprising caller jumped on to a chair he (or she) could not see
what lay on the other side. There was no door in this screen,
therefore no danger existed that the editor could be "rushed." Against
the partition was placed a table and a chair of the ordinary "office
furniture" type; and other decoration there was none. On the table
were writing materials, and a small house-telephone. By means of this
instrument one spoke to the Presence on the other side, and he spoke in
return. That it was always the same Presence, Simone knew by the
voice. It was peculiar, mincing, and rather effeminate, and though she
shrewdly attributed this quality to disguise, it could not well have
been imitated by an understudy.
Public-domain text, read in full here on John Shaqi.
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