As throughout nature Providence has pleased to establish an antagonism
which carries on the great scheme in harmony, by setting creature
against creature, in no instance does man show his vast superiority
more strongly over the lower animals than in the defence or attack
of his great gregarious abodes. There are numerous animals who, like
man, draw up in battle array and dew fields with blood, but none
that can bring into play such high qualities as are exhibited in our
sieges, from one of a Scotch border tower to Sebastopol. In no case is
the difference between reason and instinct more evident. The beaver
of to-day constructs and fortifies his dwelling exactly upon the
same plan as the first beaver after creation, whereas the science of
fortification and siege has kept equal pace with man’s enlightenment.
There is no doubt this portion of the art of war attained perfection
in the seventeenth century: circumstances of time and place may modify
it, but the great principles were then established; the accessories
since obtained by scientific discoveries have only added power to
the means of destruction, they have not advanced the art itself. We
do not hesitate for a moment to say that a Turenne, Condé, Vauban,
Marlborough, or Eugene, would vindicate their genius for the great art
of war as proudly and successfully at the present time as they did
in their own glorious day: when knowledge of any kind has reached a
certain point, all the difference is in the men who employ it. The fate
of nations at that period depended upon sieges; soldiers of fortune of
highly cultivated intellect were engaged in the study and practice of
them; and though our readers will find many of these awful contests
much more set off with striking incidents and more replete with
horrors, they will meet with none so scientifically carried on, both as
to defence and attack, as those of the latter part of the seventeenth
century.
The historian of sieges has an immense advantage over the chronicler
of battles. The commander in a great battle can, after the contest
is over, give his own account of his views, manœuvres, expedients,
and impulsive perceptions, but no other person engaged can possibly
describe anything beyond what occurred at the point to which his own
individual exertions were confined. The brave soldier, with his blood
warmed by energetic action, his mind excited by a love of honour and
fame, and his heart, though true as his sword, throbbing with a natural
love of life, through the dun smoke sees nothing but the enemy before
him, and thinks of nothing but the means of destroying him. It is his
duty to execute, and not to contemplate; and the careful reader of
a Gazette can generally give a better description of the battle it
announces than any soldier engaged in it. Physical and material causes
out of number combine to produce this fact.
Public-domain text, read in full here on John Shaqi.
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