Mother Carey was certainly White Square’s most respectable unit--a
one-eyed queen among the blind. She rented an entire tenement, in
place of the fraction with which the most of her compeers must be
content; she enjoyed an “independence” (paid, quarterly, through a
lawyer, for value received); she had descended, in a cloud, from the
hallowed mysteries of the _tu-tu_ and the dancing sandal. She was a
superannuated coryphée, in fact, and, save for the redeeming grace of
that allowance, had long since sunk into squalider depths than her
present.
The fog made her eyes smart on this February evening, sootily
exaggerating on their rims the work of the “make-up” pencil, which had
not ceased to be a cherished equipment of her ignoble maturity. It
imparted, moreover, a sort of livid iridescence to the pearl powder
smearing her haggard cheeks, which suggested, in their unwholesome
“fishiness,” the under parts of a dead and stale mackerel. Her “front”
was false, her---- Sha! the horrible, sick old spectre of vanity!
But if a spectre, she was by no means dead to her own worldly
interests. Those possessed her, in exact proportion as her watching
and waiting at this moment were turned to the possession of the soul
of another, the latest, and not the least difficult, subject of her
ancient lures. Reversing the accepted ghostly procedure, she was
intent on procuring, instead of revealing, a treasure. Her
persistency, in matters of mean acquisition and blackmailing, was
great for so frail a creature. It had triumphed over decay,
infirmities, disenchantment in the past; yet, after all, she had
withdrawn from public life at a late hour, with a competence which--to
be properly in keeping with her long self-exposure--was only a bare
one. That she resented, of course. Her days were all punctuated with
petty resentments and malevolences, the fruits of a small, greedy
vanity which had been pensioned to retire--through a conspiracy of
jealousies, she would have told you. Wherefore she had since sought to
augment her pittance by a vicious exploiting--at second-hand--of the
arts which had procured it for her.
The rumble of distant omnibuses vibrated in her ears and in the walls,
from which latter gloomed down, dingy and faded, old daguerreotypes of
herself, smirking and ogling in the tights and kid boots and wreaths
of a vanished era--rosy, immoral young life of twenty years past, of
which this dry, stark immortelle was the spectre. As she sat waiting,
she leaned her elbows on the table, and stared at the solitary candle
alight before her, like an old, sharp-eyed hen half hypnotised by the
glow. Yet, if she were asleep, she talked in her sleep, small and
chuckling, as anyone, stooping his head, might have detected.
Public-domain text, read in full here on John Shaqi.
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