Great writers and orators are commonly economists in the use of words. They compel common words to bear a burden of thought and emotion, which mere rhetoricians, with all the resources of the language at their disposal, would never dream of imposing upon them. But it is also to be observed, that some writers have the power of giving a new and special significance to a common word, by impressing on it a wealth of meaning which it cannot claim for itself. Three obvious examples of this peculiar power may be cited. Among poets, Chaucer infused into the simple word "green" a poetic ecstasy which no succeeding English poet, not even Wordsworth, has ever rivalled, in describing an English landscape in the month of May. Jonathan Edwards fixed upon the term "sweetness" as best conveying his loftiest conception of the bliss which the soul of the saint can attain to on earth, or expect to be blessed with in heaven; but not one of his theological successors has ever caught the secret of using "sweetness" in the sense attached to it by him. Dr. Barrow gave to the word "rest," as embodying his idea of the spiritual repose of the soul fit for heaven, a significance which it bears in the works of no other great English divine. To descend a little, Webster was fond of certain words, commonplace enough in themselves, to which he insisted on imparting a more than ordinary import. Two of these, which meet us continually in reading his speeches, are "interesting" and "respectable." The first of these appears to him competent to express that rapture of attention called forth by a thing, an event, or a person, which other writers convey by such a term as "absorbing," or its numerous equivalents. If we should select one passage from his works which, more than any other, indicates his power of seeing and feeling, through a process of purely imaginative vision and sympathy, it is that portion of his Plymouth oration, where he places himself and his audience as spectators on the barren shore, when the _Mayflower_ came into view. He speaks of "the _interesting_ group upon the deck" of the little vessel. The very word suggests that we are to have a very commonplace account of the landing, and the circumstances which followed it. In an instant, however, we are made to "feel the cold which benumbed, and listen to the winds which pierced" this "interesting" group; and immediately after, the picture is flashed upon the imagination of "chilled and shivering childhood, houseless, but for a mother's arms, couchless, but for a mother's breast,"--an image which shows that the orator had not only transported himself into a spectator of the scene, but had felt his own blood "almost freeze" in intense sympathy with the physical sufferings of the shelterless mothers and children.