Great snail whose lofty horns are knobbed with gold;
Long javelin of red-wood lying straight
Upon the changing indigos which unfold
In blues and chrysophrases from the gate
Of this our city sea-ward, till the gull
Becomes a gnat where lights annihilate
The wings’ last beat! Or are you like a hull
Pompeiian red upon the Nile’s slate green?
Or are you like these clouds which fanciful
Half open eyes make giant fish serene,
And motionless as rifts of carbuncles
Sunk in a waste of faience sky, between
Such terrifying turquoise? Darkness dulls
The torches of your towers struck to flame
By sun-set, and you mass amid the hulls
Of shadows on the water, then reclaim
This blackness with a thousand eyes of light!
Peiræus made with hands, which over-came
The waters, where no point of land gave might
To walls and slips, no Peiraic promontory
Inspired our Hippodamus in his flight
Sea-ward with docks, parades, an auditory
For music and a dancing floor for youths,
But only the sea tempted. Telling the story
That grows within the loop, its dens and booths,
And palaces of trade, is to omit
The city’s lofty genius and the truths
Through which she works at best, against the wit
Of creatures who would sell her body, take
The money of the sale as perquisite
For grossness in luxurious life. Awake
Themistocles of us and carve the dream
Of Burnham into stone! Along this lake
Such as no city looks on, to redeem
Its shores from shrieks and crashes, refuse, smoke
His architectural vision sketched the scheme
Of harbors, islands, boulevards--he spoke
For these, the concourse, stadium and a tomb
For that dull infamy of filth whose cloak
Is law, hiding the greedy hands that doom
To long delay with bribery. He is gone
These several years into the narrow room
Where beauty is no more of walk or lawn,
Or arch or peristyle, but still he says:
“Work quickly into form what I have drawn,
And give Chicago of these middle days
The glory which it merits: To this Pier
Make wide the marble way, build new the quays
Give to the swimmers depths made fresh and clear,
Lay out the flowering gardens, founts and pools
Such as Versailles knows. The river steer
Under the arches of two decked bascules.”
Look at the photographs of seventy-six,
Whoever you are who mocks or ridicules
This city, then imagine stones and bricks
Which from such lowness rose, in fifty years
By so much grown miraculous to transfix
The future’s wonder as ours is for piers
Like this, Chicago! O ye men who wield
Small strength or great or none, too apt at sneers
For men who did too little, you must yield
Your names for judgment soon, have you done more
To make this city great than Marshall Field?
While you were railing, idling, on this shore
Public-domain text, read in full here on John Shaqi.
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