The Great White Hand; Or, the Tiger of Cawnpore: A story of the Indian MutinyMuddock, J. E. (Joyce Emmerson)
History
The Great White Hand; Or, the Tiger of Cawnpore: A story of the Indian Mutiny
Muddock, J. E. (Joyce Emmerson)
Anglo-Indian fiction; India -- History -- Sepoy Rebellion, 1857-1858 -- Fiction; Kanpur (India) -- Fiction
As sleep fell upon the northern quarter of Meerut on that Saturday
night, there was an unusual stir in the native part. In the lines of
the native soldiery, in the populous bazaars, and in the surrounding
villages, a fatal signal was passing. Five fleet-footed Indians were
speeding from place to place; and as they went, they put into the hands
of the principal men a small cake. It was a chupatty; and, like the
fiery cross, it was the signal of a general rising.
On the banks of the Goomtee there rose the lichen-covered wall of a
half-ruined temple. Hitherto, silence had reigned in its deserted
halls, and the lizard and the serpent had hunted undisturbed for prey
amongst the fallen shafts and broken capitals. But the grey ruin was
witness of a strange scene to-night. Hundreds of natives were pouring
in from all parts. At every entrance to the temple a guard was posted,
and admission could only be gained by giving a password. That was
“Chupatty.” But all comers knew the pass; none were turned away.
Rapidly the crowd swelled with soldiers and civilians, until every
available space was occupied. They perched on the broken walls, on the
fallen columns, on the moss-covered arches. Wherever a foot-hold could
be gained, there was a native. Here and there was suspended a native
lamp--a cotton-wick placed in cocoa-nut oil, contained in a cocoa-nut
shell. Seen in this dim light, the scene was striking and picturesque.
The dusky forms of the natives seemed to be everywhere--above, below,
around. The dark wall of the ruin appeared to be actually jewelled
with gleaming eyes, which, as they caught the fitful flare of the
lamp, flashed with hatred and revenge. A dull, confused sound only was
heard as the swarming natives conversed one with another in subdued
tones. Presently six distinct beats were given on a tom-tom. Then there
was a death-like silence, as there entered, by the main entrance, a
tall man, whose face was muffled with a puggeree. He was followed by
several other natives; and as they entered and took up their position
at one end of the ruins, salaams rose from a hundred throats. Then
the tall man threw back his puggeree, and exposed his features. They
were massive, firm, and of the true Mahratta cast. His skin was light
brown; his lips full and sensual, and his eyes small, restless, and
cunning. He was a powerfully-built man, with a full, flowing beard, his
age about thirty years. His bearing was proud and haughty; his dress
handsome, being that of a Mahratta prince. Round his neck was a massive
gold chain, and on his fingers sparkled numerous and costly jewels.
His head was encircled with a rich turban, ornamented in front with a
single large diamond. From a jewelled belt round his waist protruded
the inlaid handles of native pistols; and at his side was suspended
a tulwar. This was Dhoondu Pdnt, the Nana Sahib of Bhitoor. He was
attended by his war minister, Teeka Singh, and his confidential friend
and adviser, Azimoolah.
Public-domain text, read in full here on John Shaqi.
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