The Great White Hand; Or, the Tiger of Cawnpore: A story of the Indian MutinyMuddock, J. E. (Joyce Emmerson)
History
The Great White Hand; Or, the Tiger of Cawnpore: A story of the Indian Mutiny
Muddock, J. E. (Joyce Emmerson)
Anglo-Indian fiction; India -- History -- Sepoy Rebellion, 1857-1858 -- Fiction; Kanpur (India) -- Fiction
An air of _vraisemblance_
represents true art in fiction, and when it becomes difficult for the
reader to tell where fiction begins and truth ends, it may be said
that the story-teller can go no further. If I should be fortunate in
establishing a claim to this praise, I shall be proud indeed; but
though I fail in that respect, I humbly venture to believe that “The
Great White Hand” will be found neither dull nor uninteresting.
THE AUTHOR.
LONDON, 1896.
THE GREAT WHITE HAND,[1]
OR,
THE TIGER OF CAWNPORE.
_A STORY OF THE INDIAN MUTINY._
CHAPTER I.
THE RISING OF THE STORM.
It is the ninth of May, in the year one thousand eight hundred and
fifty-seven. The morning breaks lowering and stormy, a fitting prelude
to the great and tragic drama that is about to startle the world. It is
not yet four o’clock, and the sun is hardly above the horizon, but in
the fair Indian city of Meerut there is an unusual stir. The slanting
rays of the rising sun, as they fall through the rifts of hurrying
storm-clouds, gild the minarets and domes of the numerous mosques for
which the city is famed. The tall and graceful palms stand out in bold
relief against the sky, and from the cool greenery of their fan-like
leaves there issue the soft, peaceful notes of the ring-doves. Meerut,
at this time, is one of the most extensive military stations in our
Indian empire, and covers an area nearly five miles in circumference.
In the centre of the city is a great wall and esplanade, and along
this runs a deep nullah, which cuts the station into two separate
parallelograms; the one contains the European, and the other the Native
force. The European lines are in the northern quarter, the Artillery
barracks to the right, the Dragoons to the left, and the Rifles are
in the centre. Between the barracks of the two last rises, tall and
straight, the spire of the station church. It contrasts strangely
with the Oriental architecture which surrounds it. Farther northward
again stretches an extensive plain, which is used as a parade-ground.
Towards this plain, on the fateful ninth of May, eighteen hundred and
fifty-seven, streams of human beings are flowing. Crowds of natives,
from the low-caste Coolie to the pompous Baboo, hurry along, either on
foot or horseback.
Presently, far and near, the _reveille_ is heard, and, in a little
while, long lines of troops, mounted and on foot, march towards the
plain. Then the clattering of horses’ hoofs, and the rumbling of guns,
add to the general commotion, and soon the plain is swarming with armed
men. Heavily-shotted field-guns are placed in position, and the drawn
sabres of the Dragoons flash in the sun’s rays, while on three sides of
the plain are bodies of troops armed with the new Enfield rifles, that
are ready, on the word being given, to belch forth fire, and send their
rotary messengers of death into the crowds of natives if the necessity
should arise.
Public-domain text, read in full here on John Shaqi.
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