New York (N.Y.) -- Social life and customs -- Fiction
Beneath all these preoccupations lurked the dread of what he was
thinking. Sooner or later, of course, he would have to speak; but that,
in the meantime, he should think, even for a moment, that there was any
use in speaking, seemed to her simply unendurable. Her sensitiveness on
this point was aggravated by another fear, as yet barely on the level of
consciousness; the fear of unwillingly involving Gannett in the trammels
of her dependence. To look upon him as the instrument of her liberation;
to resist in herself the least tendency to a wifely taking possession of
his future; had seemed to Lydia the one way of maintaining the dignity
of their relation. Her view had not changed, but she was aware of a
growing inability to keep her thoughts fixed on the essential point--the
point of parting with Gannett. It was easy to face as long as she kept
it sufficiently far off: but what was this act of mental postponement
but a gradual encroachment on his future? What was needful was the
courage to recognize the moment when, by some word or look, their
voluntary fellowship should be transformed into a bondage the more
wearing that it was based on none of those common obligations which make
the most imperfect marriage in some sort a centre of gravity.
When the porter, at the next station, threw the door open, Lydia drew
back, making way for the hoped-for intruder; but none came, and the
train took up its leisurely progress through the spring wheat-fields and
budding copses. She now began to hope that Gannett would speak before
the next station. She watched him furtively, half-disposed to return
to the seat opposite his, but there was an artificiality about his
absorption that restrained her. She had never before seen him read with
so conspicuous an air of warding off interruption. What could he be
thinking of? Why should he be afraid to speak? Or was it her answer that
he dreaded?
The train paused for the passing of an express, and he put down his book
and leaned out of the window. Presently he turned to her with a smile.
“There’s a jolly old villa out here,” he said.
His easy tone relieved her, and she smiled back at him as she crossed
over to his corner.
Beyond the embankment, through the opening in a mossy wall, she caught
sight of the villa, with its broken balustrades, its stagnant fountains,
and the stone satyr closing the perspective of a dusky grass-walk.
“How should you like to live there?” he asked as the train moved on.
“There?”
“In some such place, I mean. One might do worse, don’t you think so?
There must be at least two centuries of solitude under those yew-trees.
Shouldn’t you like it?”
“I--I don’t know,” she faltered. She knew now that he meant to speak.
He lit another cigarette. “We shall have to live somewhere, you know,”
he said as he bent above the match.
Lydia tried to speak carelessly. “_Je n’en vois pas la nécessité!_ Why
not live everywhere, as we have been doing?”
“But we can’t travel forever, can we?”
Public-domain text, read in full here on John Shaqi.
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