The Greatest English Classic: A Study of the King James Version of the Bible and Its Influence on Life and LiteratureMcAfee, Cleland Boyd
History
The Greatest English Classic: A Study of the King James Version of the Bible and Its Influence on Life and Literature
McAfee, Cleland Boyd
Bible -- History; Bible -- Influence; Bible and literature; Bible. English -- Versions -- Authorized
Nothing could reveal more clearly than this
list how we are distinguishing the Bible as
literature from the Bible as an authoritative
book in morals. One would much dislike to
credit the Bible with any part of the personal life
of Shelley or Byron. They were friends; they,
were geniuses; but they were both badly afflicted
with common moral leprosy. It is playing with
morals to excuse either of them because he was
a genius. Nothing in the genius of either demanded
or was served by the course of cheap
immorality which both practised. It was not
because Shelley was a genius that he married
Harriet Westbrook, then ran away with Mary
Godwin, then tried to get the two to become
friends and neighbors until his own wife committed
suicide; it was not his genius that made
him yield to the influence of Emilia Viviani
and write her the poem "Epipsychidion," telling
her and the world that he "was never attached
to that great sect who believed that each
one should select out of the crowd a mistress or
a friend" and let the rest go. That was not
genius, that was just common passion; and our
divorce courts are full of Shelleys of that type.
So Byron's personal immorality is not to be
explained nor excused on the ground of his
genius. It was not genius that led him so
astray in England that his wife had to divorce
him, and that public opinion drove him out of
the land. It was not his genius that sent him
to visit Shelley and his mistress at Lake Geneva
and seduce their guest, so that she bore him a
daughter, though she was never his wife. It was
not genius that made him pick up still another
companion out of several in Italy and live with
her in immoral relation. In the name of common
decency let no one stand up for Shelley
and Byron in their personal characters! There
are not two moral laws, one for geniuses and one
for common people. Byron, at any rate, was
never deceived about himself, never blamed his
genius nor his conscience for his wrong. These
are striking lines in "Childe Harold," in which
he disclaims all right to sympathy, because,
"The thorns which I have reaped are of the tree
I planted,--they have torn me and I bleed.
I should have known what fruit would spring from
such a tree."
Shelley's wife would not say that for him.
"In all Shelley did," she says, "he at the time
of doing it believed himself justified to his own
conscience." Well, so much the worse for
Shelley! Geniuses are not the only men who
can find good reason for doing what they want
to do. One of Shelley's critics suggests that the
trouble was his introduction into personal conduct
of the imagination which he ought to have
saved for his writing. Perhaps we might explain
Byron's misconduct by reminding ourselves of
his club-foot, and applying one code of morals
to men with club-feet and another to men with
normal feet.
Public-domain text, read in full here on John Shaqi.
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