The Greatest English Classic: A Study of the King James Version of the Bible and Its Influence on Life and LiteratureMcAfee, Cleland Boyd
Religion
The Greatest English Classic: A Study of the King James Version of the Bible and Its Influence on Life and Literature
McAfee, Cleland Boyd
Bible -- History; Bible -- Influence; Bible and literature; Bible. English -- Versions -- Authorized
Nothing could reveal more clearly than this list how we are distinguishing
the Bible as literature from the Bible as an authoritative book in morals.
One would much dislike to credit the Bible with any part of the personal
life of Shelley or Byron. They were friends; they were geniuses; but they
were both badly afflicted with common moral leprosy. It is playing with
morals to excuse either of them because he was a genius. Nothing in the
genius of either demanded or was served by the course of cheap immorality
which both practised. It was not because Shelley was a genius that he
married Harriet Westbrook, then ran away with Mary Godwin, then tried to
get the two to become friends and neighbors until his own wife committed
suicide; it was not his genius that made him yield to the influence of
Emilia Viviani and write her the poem "Epipsychidion," telling her and the
world that he "was never attached to that great sect who believed that
each one should select out of the crowd a mistress or a friend" and let
the rest go. That was not genius, that was just common passion; and our
divorce courts are full of Shelleys of that type. So Byron's personal
immorality is not to be explained nor excused on the ground of his genius.
It was not genius that led him so astray in England that his wife had to
divorce him, and that public opinion drove him out of the land. It was not
his genius that sent him to visit Shelley and his mistress at Lake Geneva
and seduce their guest, so that she bore him a daughter, though she was
never his wife. It was not genius that made him pick up still another
companion out of several in Italy and live with her in immoral relation.
In the name of common decency let no one stand up for Shelley and Byron in
their personal characters! There are not two moral laws, one for geniuses
and one for common people. Byron, at any rate, was never deceived about
himself, never blamed his genius nor his conscience for his wrong. These
are striking lines in "Childe Harold," in which he disclaims all right to
sympathy, because,
"The thorns which I have reaped are of the tree
I planted,--they have torn me and I bleed.
I should have known what fruit would spring from such a tree."
Shelley's wife would not say that for him. "In all Shelley did," she says,
"he at the time of doing it believed himself justified to his own
conscience." Well, so much the worse for Shelley! Geniuses are not the
only men who can find good reason for doing what they want to do. One of
Shelley's critics suggests that the trouble was his introduction into
personal conduct of the imagination which he ought to have saved for his
writing. Perhaps we might explain Byron's misconduct by reminding
ourselves of his club-foot, and applying one code of morals to men with
club-feet and another to men with normal feet.
Public-domain text, read in full here on John Shaqi.
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