The Greatest English Classic: A Study of the King James Version of the Bible and Its Influence on Life and LiteratureMcAfee, Cleland Boyd
Religion
The Greatest English Classic: A Study of the King James Version of the Bible and Its Influence on Life and Literature
McAfee, Cleland Boyd
Bible -- History; Bible -- Influence; Bible and literature; Bible. English -- Versions -- Authorized
That makes only twelve names from Franklin to Whittier. Others could be
included; but they are not so great as these. No one of these could be
taken out of our literature without affecting it and, in some degree at
least, changing the current of it. This is not to forget Bret Harte nor
Samuel L. Clemens. But each is dependent for his survival on a taste for a
certain kind of humor, not delicate like Irving's and Holmes's, but strong
and sudden and a bit sharp. If we should forget the "Luck of Roaring
Camp," "Truthful James," and the "Heathen Chinee," we would also forget
Bret Harte. We are not apt to forget _Tom Sawyer_, nor perhaps _The
Innocents Abroad_, but we are forgetting much else of Mark Twain. Whitman
is not named. His claims are familiar, but in spite of his admirers he
seems so charged with a sensuous egotism that he is not apt to be a
formative influence in literary history. It is still interesting, however,
to remember how frequently he reveals his reading of Scripture.
Fortunately, all these writers are so near, and their work is so familiar,
that details regarding them are not needed. Two or three general words can
be said. In the first place, observe the high moral tone of all these
first-grade writers, and, indeed, of the others who may be spoken of as in
second rank. There is not a meretricious or humiliating book in the whole
collection. There is not one book which has lived in American literature
which has the tone of Fielding's _Tom Jones_. Whether it is that the
Puritan strain continues in us or not, it is true that the American
literary public has not taken happily to stories that would bring a blush
in public reading. Professor Richardson, of Dartmouth, gives some clue to
the reason of that. He says that "since 1870 or 1880 in America there has
been a marked increase of strength of theistic and spiritual belief and
argument among scientific men, students of philosophy, religious
'radicals,' and others." He adds that while much contemporary American
literature and thought is outside the accepted orthodox lines, yet "it is
not hostile to Christianity; to the principles of its Founder it is for
the most part sincerely attached. On the other hand, materialism has
scarcely any hold upon it." Then follows a very notable sentence which is
sustained by the facts: "Not an American book of the first class has ever
been written by an atheist or denier of immortality." That sentence need
not offend an admirer of Walt Whitman, for he "accepts both theism and the
doctrine of the future life." American thought has remained loyal to the
great Trinity, God, Freedom, and Immortality. So it comes about that while
there are a number of these writers who could be put under the ban of the
strongly orthodox in religion, every one of them shows the effect of early
training in religion and in the Scripture.[39]
Public-domain text, read in full here on John Shaqi.
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